Make a profitable exhibit challenge

TheEthiopianWolf03

Well-Known Member
This one is going to be a little different.

Your goal is to make an exhibit that will bring money and visitors to a zoo. This means you will need to follow a certain criteria.

1.) The exhibit needs to have at least 1-2 ABC animals (Like something that is marketable, cute, well known, etc). You can include no more than 10 other species with your chosen ABC animal(s) but don't get something that would be unrealistic. Each animal should be chosen with a purpose in mind and not just to fit a theme but to also tell a story. I'll explain more in #3

2.) To make this a bit more challenging, I will be the one who will give you a random theme. It is up to you what you will do with that theme and it can be anything from geographic to being based on taxonomy. For an extra layer of challenge I will randomly select the following associations (AZA, ZAA, EAZA, and CAZA) that the zoo that you are designing this exhibit for is located. This means you really have to think about your selection of animals and what is more realistic or not. I won't choose a theme that will be impossible for the association you are designing it for but realistically speaking it should be possible. The themes will be easy to follow at first but I will start doing some more unique ones down the line to get more creativity from you.

3.) Your designs should talk about stuff other than the typical species list and exhibits. What conservation message is being said in this exhibit? How will this exhibit be educational for kids? Why is this specific animal being exhibited? What will make this exhibit profitable?

This might be a lot to take in but Zoochat has some smart people in it so I am sure that you guys can create something interesting. Think of me as a "Shark Tank" investor (except I won't judge :D) and pitch the designs to me as if they are being pitched to a zoo. If you are up for the challenge just comment on the thread and I will get to you as soon as possible. Hopefully this will be a fun distraction with everything going on in the world right now. Happy brainstorming!
 
I'll take one, however I'm working on other Fantasy Zoos at the moment so it may take me a while.
 
This exhibit would be a costly expansion in an already famous zoo. It is named 'The Rising Tide' and the general theme of the whole exhibit is about climate change and global warming melting the ice caps and causing sea levels around the whole world to rise. It is a large exhibit but doesn't focus on large amounts of species, it instead focuses on a small amounts and immersion.

The exhibit starts with a wooded paddock for a small herd of Reindeer. These animals can be viewed via a low wooden fence, allowing the visitors to get up close with the animals. Inisde their paddock is a van with 'Northern Logging' on the side, next to this van is a large cut-down tree. This is meant ot simulate the logging industry destroying not just the Reindeer's habitat but habitats all over the world, there are also several signs explaining this.

The path continues to a small building which visitors can enter. The inside of this building is themed to look like the inside of a pub or bar. Half of the building is separated by mesh. Living in this aviary is a pair of Snowy Owls. Their exhibit continues the theme with barstools and tables. The owls like to perch in the rafters of the building.

The next exhibit is quite small and features a family of Arctic Foxes. These animals will bring the cute and excitement factor for the kids and the exhbit is designed so you can get as close to them as possible. The main viewing is a 2x5m glass window which provides a view of the whole exhibit. There is also a tunnel kids (an adults if they can fit!) can crawl into to which passes under the exhibit. At two points in the tunnel, there are glass bubbles that you can pop your head into and get a view of the exhibit you wouldn't normally see. This really makes you feel like you are inside the enclosure and you can get very close to the foxes if you are lucky. The exhibit will be mainly open with two large rocks in the middle (one of the glass bubbles is in between these rocks). Around this enclosure there is a small shack selling ice creams and lollies and a small playground. This area is a sort of hub for the kids and families. Dotted around this area are lots of signs with cartoon style drawings giving information about the foxes, this is a way of eductating the children whilst not boring them.

The next enclosure is also the biggest, it holds 2 Polar Bears. This exhibit can be viewed from several areas. A raised boardwalk gives a view of most of the exhibit and there are several smaller windows into the exhibit. The most unique viewing area for the bears is a large sailing boat that visitors can enter. This boat has lots of theming inside it to make it look like it belonged to an explorer. There are several books fastened to walls and tables that contain information about Polar Bears. The main draw of this boat though is the huge glass wall that takes up most of one side of the boat. This glass wall gives above and underwater viewing of the exhibit allowing visitors to get an up-close view of the polar bears swimming. The bear's habitat is largely open with a few rocks and bushes. The largest feature of their enclosure is the large mock rock wall painted white to simulate a glacier. There is a waterfall coming from this wall that runs into the bears' pool. This simulates the melting ice caps and glaciers and there is also information about this in the boat with statistics and graphs.

The final area in the complex features an enclosure for Ringed Seals. This enclosure has a large pool with small areas of land space. The exhibit can be viewed from an ampitheatre style seating area where there are also daily shows. They can also be viewed via an undewater which provides an unforgetable experience viewing the seals swimming. The seals bring the excitement factor for children.
 
This exhibit would be a costly expansion in an already famous zoo. It is named 'The Rising Tide' and the general theme of the whole exhibit is about climate change and global warming melting the ice caps and causing sea levels around the whole world to rise. It is a large exhibit but doesn't focus on large amounts of species, it instead focuses on a small amounts and immersion.

The exhibit starts with a wooded paddock for a small herd of Reindeer. These animals can be viewed via a low wooden fence, allowing the visitors to get up close with the animals. Inisde their paddock is a van with 'Northern Logging' on the side, next to this van is a large cut-down tree. This is meant ot simulate the logging industry destroying not just the Reindeer's habitat but habitats all over the world, there are also several signs explaining this.

The path continues to a small building which visitors can enter. The inside of this building is themed to look like the inside of a pub or bar. Half of the building is separated by mesh. Living in this aviary is a pair of Snowy Owls. Their exhibit continues the theme with barstools and tables. The owls like to perch in the rafters of the building.

The next exhibit is quite small and features a family of Arctic Foxes. These animals will bring the cute and excitement factor for the kids and the exhbit is designed so you can get as close to them as possible. The main viewing is a 2x5m glass window which provides a view of the whole exhibit. There is also a tunnel kids (an adults if they can fit!) can crawl into to which passes under the exhibit. At two points in the tunnel, there are glass bubbles that you can pop your head into and get a view of the exhibit you wouldn't normally see. This really makes you feel like you are inside the enclosure and you can get very close to the foxes if you are lucky. The exhibit will be mainly open with two large rocks in the middle (one of the glass bubbles is in between these rocks). Around this enclosure there is a small shack selling ice creams and lollies and a small playground. This area is a sort of hub for the kids and families. Dotted around this area are lots of signs with cartoon style drawings giving information about the foxes, this is a way of eductating the children whilst not boring them.

The next enclosure is also the biggest, it holds 2 Polar Bears. This exhibit can be viewed from several areas. A raised boardwalk gives a view of most of the exhibit and there are several smaller windows into the exhibit. The most unique viewing area for the bears is a large sailing boat that visitors can enter. This boat has lots of theming inside it to make it look like it belonged to an explorer. There are several books fastened to walls and tables that contain information about Polar Bears. The main draw of this boat though is the huge glass wall that takes up most of one side of the boat. This glass wall gives above and underwater viewing of the exhibit allowing visitors to get an up-close view of the polar bears swimming. The bear's habitat is largely open with a few rocks and bushes. The largest feature of their enclosure is the large mock rock wall painted white to simulate a glacier. There is a waterfall coming from this wall that runs into the bears' pool. This simulates the melting ice caps and glaciers and there is also information about this in the boat with statistics and graphs.

The final area in the complex features an enclosure for Ringed Seals. This enclosure has a large pool with small areas of land space. The exhibit can be viewed from an ampitheatre style seating area where there are also daily shows. They can also be viewed via an undewater which provides an unforgetable experience viewing the seals swimming. The seals bring the excitement factor for children.

I like how every animal in this exhibit has some level of charisma and the emphasis of visitor interaction. Overall pretty good. If you are interested in doing another one it will be a zoo from ZAA and the theme will be "Nocturnal".
 
Hunt or Be Hunted
This would be part of the standard “local” area found in many zoos: in this case, the zoo is located in western Canada, so the fauna of the exhibit in turn hail from this region. This exhibit would only display injured animals or ones that cannot otherwise be returned to the wild. It also serves as a rehabilitation center for animals that can be released.

The idea for this exhibit is the relationships between predator animals and prey animals. As such, the exhibits are often structured in a way to enable the viewing of both predators and their would-be prey. This includes the use of elevation, trenches/moats, and disguised boundaries to make it appear as if animals are sharing the same space. The adaptations of predators and prey are also focused on, as well as the impact humans can have on this balance.

Guests walk through a wooden trail until they come to a large vantage point overlooking a 30,0000 square foot exhibit that is the centerpiece of the area. This exhibit is longer than it is wide, so guests can clearly see the exhibits behind it; at any given point, the enclosure is 200 feet of solid ground across. This exhibit has varying elevation types including small valleys and some hills and mounds. The paddock has some large pools the animals can near fully submerge in, connected by shallow streams and channels. The substrate of the paddock is mostly dirt, and as it was built in an existing forest not much work needed to be done to modify the area. There are some open grassy meadows planted with small shrubs and conifers as well as both open and dense coniferous and mixed woodland. Also in the exhibit are stumps of various trees (representing deforestation), and a mock road runs through part of the exhibit, with large yellow and orange warning signs with silhouettes of bison, moose, and elk on them (representing vehicle collisions) and a hunting blind in the trees and on the ground (representing hunting, primarily for the wood bison). The waterways are lined with reeds and have some inlets with pondweeds. Logs serving as scratching posts and wooden, covered shelters are present within the exhibit as well, with feeding racks. This exhibit is home to the main “prey” species of the exhibit, and has some more obscure, but still very well known, species. Herds of 1.5 Rocky Mountain Elk, 1.4 Boreal Woodland Caribou, 1.2 Western Moose, and 1.4 Wood Bison inhabit this exhibit. Guests are separated from the animals by a height difference of 15 feet and a 20-foot water moat, which granted the animals can still access. Guests view this exhibit from a number of wooden viewing platforms, some of which extend over the moat partway. Signs on these viewing platforms tell about the eradication of the predators of elk in some areas and their subsequent population explosion, and how to some extent hunting or culling by humans is now necessary until reintroduction attempts are successful.

The path forks as a T here, with one path going to the left and the other to the right, but they both meet back up at the other side.

Located behind this exhibit are 3 other, roughly 10,000 – 15,000 square foot exhibits. These showcase the predators of the prey species seen in front of them. Sight lines and the width of the fairly narrow prey exhibit allow guests to easily see across and into the exhibits behind. All of these exhibits have dry moats (a barrier of rocks forms the barriers of the prey exhibit water moat), and their distance to the prey exhibit varies. One of the islands is 15 feet from the prey exhibit, another is 20 feet, and the last is just 10 feet away. This is to prevent the predators from simply jumping into the exhibit. Two of these paddocks are open with no mesh, while the third is mesh-enclosed. Those without mesh have no trees near the border of the exhibit, though neither of those species are known to climb as adults anyway. Guests see these exhibits from the front as well as from behind (viewing from the sides, which would reveal the trenches, is prevented by stands of thick coniferous trees bordering the visitor pathway). As such all four exhibits combine to make up a large area surrounded by visitor pathway.

The first exhibit is 15,000 square feet and uncovered, and is furthest to the right from a visitor perspective. The exhibit has varied terrain, with a medium-sized rocky ridge present in the middle of the enclosure, grassy clearings, scrubby areas with small conifers and evergreen shrubs, and patches of open and dense coniferous forest. A pond at the top of the rocky ridge empties as a waterfall into a large pool below, which in turn feeds a stream emptying via small waterfalls into a large pool bordering a large glass window. There are a few fallen trees, some seemingly chopped or sawed down, some boulders and flat-topped rocks (some of which are heated). The bears can also sit in a rock cave behind their waterfall to cool down (water is filtered and cycled back up to the top of the pool). Substrate is mostly dirt and mulch, and trees are protected at the roots from digging. Both pools are quite large, enough for the bears to submerge. The viewing platform at the back of the exhibit has an upper level viewed from 20 feet above the bears as well as an area accessed by a stairwell and ramp where guests can see the bears play in their larger pool that borders the viewing platform, which has some logs jutting over it the bears can jump off of. Also in the exhibit are some geysers that spout up water every now and then for enrichment. Items and toys made of natural, resistant materials are placed in the exhibit regularly, and sometimes a fake carcass is put in as well. This exhibit is home to 2.2 Grizzly Bears (the males are brothers, hoped to mate with the unrelated females, who are sisters), and the males and females are swapped into and out of the enclosure. The bears were eventually put into captivity after raiding campsites on multiple occasions, and were going to be put down before the zoo opened up space to take them in.

The second exhibit is located in the middle of the other two enclosures, and is around 15,000 square feet as well. The layout of this enclosure is similar to the grizzly exhibit, with a large rocky ridge in the center of their enclosure with some logs, some open meadows, scrublands with small evergreens, and coniferous woodland in varying degrees of density. Heated, flat-topped rocks and fallen trees allow the animals to elevate themselves above their surroundings. This enclosure lacks a large waterfall, but does have a pool at a bit higher elevation, which empties in small waterfalls as a stream into another shallow pool at the front. The substrate is dirt and mulch, and the trees are protected but to a lesser extent. There are some rock overhangs and caves near the ridges as well that the animals can enter for shade and to cool off. This exhibit lacks any glass window underneath, and guests view it from atop the stone viewing platforms. A hunting blind is present in the enclosure to simulate the eradication of the wolves in some areas. Enrichment items made of natural materials are present in the enclosure, as well as a fake carcass filled with meat, and a zip line like structure that can hold a piece of meat and send it through the enclosure so the wolves can chase after it. This exhibit is home to a pack of 2.5 Grey Wolves. The two original wolves were confiscated from an irresponsible owner and unable to be returned to the wild. The rest of the pack is their offspring.

The last enclosure, furthest to the left as guests see the prey exhibit, is the smallest at 10,000 square feet, and is also the only mesh-enclosed exhibit. While this breaks the illusion of the animals sharing the same space and being able to access each other, it is necessary due to the sheer jumping ability of the species within. This enclosure is much denser than the others, with large rock ridges, cliffs, boulders, and some trenches (ones the animals can simply jump out of). There is also open and dense coniferous forest with heavy ground cover of blueberries, salal, and ferns. There are also some smaller conifers on the rocky ridges. This enclosure has a waterfall cascading down into a pool near the middle of the enclosure, which is deep enough for the cats to swim in it as well. Logs propped up against the rocky ridges afford the animals some elevation, and the cats can also climb the trees in the exhibit, as it is covered. A forest road runs through the exhibit, with fences (but ones the cougars can easily jump over), and sawed down trees, representing the threats these cats face. Mock carcasses, meat hanging from ropes placed in the trees, a food zip line, and scattered food allow for some feeding enrichment, and items made of resistant materials are routinely placed in as well. This exhibit rotates between 1.1 Cougars, animals that due to injuries could not be returned to the wild.

The other exhibits are located not within the visitor pathway loop but outside of it, on the right of the path. There are four exhibits, two located on the left branch of the path and two on the right. One on each side represents prey, and the one bordering it represents the predator. The left path has two enclosures guests view from across a moat. The first enclosure is fairly wooded, with some open grassy clearings for grass growth. The substrate is soil and mulch. Ground cover is made up of salal, ferns, blueberries, raspberries, salmonberries, and rhododendron. Trees are composed of Douglas firs, Sitka spruce, cedars, alders, vine maple, and willows. This exhibit has a wide pool separating it from guests. Logs and flat rocks dot the exhibit. This exhibit has some rock walls making up the boundaries, but in these walls are small holes as well as large glass panes. This main exhibit is home to 1.2 Snowshoe Hares. The hares are not in fact injured and are healthy animals that could theoretically live in the wild.

Extending into the pool is a strip of land connected to the other exhibit, with salal planted on it and a few small logs. This strip of land is not connected to the hare exhibit but is rather part of the exhibit bordering it. It is too far away from the hare exhibit to jump, and is prevented from swimming by large rocks in the water; however, the animals can still see between the gaps in these and over them as well.

The exhibit with the peninsula extending into the hare exhibit is located right next to it, and has mock rock barriers. This exhibit is nearly identical to the one before it, but has no trees bordering the edges of the exhibit, which instead have dense ground cover of ferns and berries. There are logs and boulders, and the trees are not hot wired so the animals can climb them. There are some clean cut tree stumps and cut down trees as well, to reference deforestation. The animals can see into the hare enclosure thanks to the strip of land, the holes in the rocks, and the glass panes. Small carcasses and toys made of natural materials are routinely placed into this exhibit for further enrichment. This enclosure rotates between 1.0 and 0.1 Canada Lynx, rescued animals from private owners. Signs tell about the predator prey relationship lynx have with snowshoe hares, and how when hare populations dip or rise, the lynx populations do the same.

The right path has a large 1,000 square foot irregularly shaped enclosure which guests can look down into, and an aviary looking down into it, which extends both to the side and behind the exhibit. The enclosure has a soil substrate with patches of mulch, and has no trees at the immediate edges of the enclosure, though it does have pines, spruces, firs, alders, and small cedars. The corners of the exhibit are planted with tall grass, brush such as berries and ferns, and various weeds. Logs and a rocky ridge also dot the exhibit, as does a mock porch with tin trashcans and a wooden overhang. A faux doghouse is also present. The trees have some forks and hollows in them for the animals to hide out in, and provide enough shade to make the enclosure suitable for their generally nocturnal habits. A small pool is also present, deep enough at its center for swimming but shallow mostly throughout. The enclosure has some dens covered with grass as well. The exhibit is home to 0.3 Raccoons and 1.2 Striped Skunks.

Extending behind this exhibit and to the side of it is a P-shaped enclosure, with the thin part of the P behind the area behind the raccoon and skunk exhibit. This exhibit is fairly densely wooded and planted, but is tall and still has lots of space; it is around 1,000 feet in total size. Salal, ferns, berry bushes, and shrubs make up ground cover, while the aforementioned tree species make up the understory and canopy. A small pool is present, mostly for drinking. Wooden nest boxes, shelters, and platforms are present, but nest-making supplies are placed within as well. There are logs and boulders as well. A mock road is present through some of the exhibit, and fallen barbed wire can also be seen, representing some of the threats the inhabitants face from humans. The enclosure is home to 1.1 Great Horned Owls, one of which is able to fly and is missing an eye, the other of which cannot fly. The owls can look down directly at the raccoons and skunks below them thanks to how the exhibits are structured.

All the animals have large indoor structures, with the mixed species pairings having areas certain species can access due to climbing capabilities or distance between wooden posts that the other animals cannot reach. These usually have soil and or mulch substrate, often have resistant or fast growing plants thanks to glass skylights, large pools, logs or boulders, some rocky ridges for elevation, solitary pens animals can sleep in, and different isolation paddocks for calving or aggressive animals.


Species:
1. Rocky Mountain Elk (1.5)
2. Boreal Woodland Caribou (1.4)
3. Western Moose (1.2)
4. Wood Bison (1.4)
5. Grizzly Bear (2.2) (ABC Species #1)
6. Grey Wolf (2.5) (ABC Species #2)
7. Cougar (1.1)
8. Snowshoe Hare (1.2)
9. Canada Lynx (1.1)
10. Raccoon (0.3)
11. Striped Skunk (1.2)
12. Great Horned Owl (1.1)


Near all of these species are somewhat recognizable, save for maybe the hares. Kids and adults alike would be kept interested in the illusion of predators and prey being able to access each other and sharing space.

I'll take another theme, please.
 
Hunt or Be Hunted
This would be part of the standard “local” area found in many zoos: in this case, the zoo is located in western Canada, so the fauna of the exhibit in turn hail from this region. This exhibit would only display injured animals or ones that cannot otherwise be returned to the wild. It also serves as a rehabilitation center for animals that can be released.

The idea for this exhibit is the relationships between predator animals and prey animals. As such, the exhibits are often structured in a way to enable the viewing of both predators and their would-be prey. This includes the use of elevation, trenches/moats, and disguised boundaries to make it appear as if animals are sharing the same space. The adaptations of predators and prey are also focused on, as well as the impact humans can have on this balance.

Guests walk through a wooden trail until they come to a large vantage point overlooking a 30,0000 square foot exhibit that is the centerpiece of the area. This exhibit is longer than it is wide, so guests can clearly see the exhibits behind it; at any given point, the enclosure is 200 feet of solid ground across. This exhibit has varying elevation types including small valleys and some hills and mounds. The paddock has some large pools the animals can near fully submerge in, connected by shallow streams and channels. The substrate of the paddock is mostly dirt, and as it was built in an existing forest not much work needed to be done to modify the area. There are some open grassy meadows planted with small shrubs and conifers as well as both open and dense coniferous and mixed woodland. Also in the exhibit are stumps of various trees (representing deforestation), and a mock road runs through part of the exhibit, with large yellow and orange warning signs with silhouettes of bison, moose, and elk on them (representing vehicle collisions) and a hunting blind in the trees and on the ground (representing hunting, primarily for the wood bison). The waterways are lined with reeds and have some inlets with pondweeds. Logs serving as scratching posts and wooden, covered shelters are present within the exhibit as well, with feeding racks. This exhibit is home to the main “prey” species of the exhibit, and has some more obscure, but still very well known, species. Herds of 1.5 Rocky Mountain Elk, 1.4 Boreal Woodland Caribou, 1.2 Western Moose, and 1.4 Wood Bison inhabit this exhibit. Guests are separated from the animals by a height difference of 15 feet and a 20-foot water moat, which granted the animals can still access. Guests view this exhibit from a number of wooden viewing platforms, some of which extend over the moat partway. Signs on these viewing platforms tell about the eradication of the predators of elk in some areas and their subsequent population explosion, and how to some extent hunting or culling by humans is now necessary until reintroduction attempts are successful.

The path forks as a T here, with one path going to the left and the other to the right, but they both meet back up at the other side.

Located behind this exhibit are 3 other, roughly 10,000 – 15,000 square foot exhibits. These showcase the predators of the prey species seen in front of them. Sight lines and the width of the fairly narrow prey exhibit allow guests to easily see across and into the exhibits behind. All of these exhibits have dry moats (a barrier of rocks forms the barriers of the prey exhibit water moat), and their distance to the prey exhibit varies. One of the islands is 15 feet from the prey exhibit, another is 20 feet, and the last is just 10 feet away. This is to prevent the predators from simply jumping into the exhibit. Two of these paddocks are open with no mesh, while the third is mesh-enclosed. Those without mesh have no trees near the border of the exhibit, though neither of those species are known to climb as adults anyway. Guests see these exhibits from the front as well as from behind (viewing from the sides, which would reveal the trenches, is prevented by stands of thick coniferous trees bordering the visitor pathway). As such all four exhibits combine to make up a large area surrounded by visitor pathway.

The first exhibit is 15,000 square feet and uncovered, and is furthest to the right from a visitor perspective. The exhibit has varied terrain, with a medium-sized rocky ridge present in the middle of the enclosure, grassy clearings, scrubby areas with small conifers and evergreen shrubs, and patches of open and dense coniferous forest. A pond at the top of the rocky ridge empties as a waterfall into a large pool below, which in turn feeds a stream emptying via small waterfalls into a large pool bordering a large glass window. There are a few fallen trees, some seemingly chopped or sawed down, some boulders and flat-topped rocks (some of which are heated). The bears can also sit in a rock cave behind their waterfall to cool down (water is filtered and cycled back up to the top of the pool). Substrate is mostly dirt and mulch, and trees are protected at the roots from digging. Both pools are quite large, enough for the bears to submerge. The viewing platform at the back of the exhibit has an upper level viewed from 20 feet above the bears as well as an area accessed by a stairwell and ramp where guests can see the bears play in their larger pool that borders the viewing platform, which has some logs jutting over it the bears can jump off of. Also in the exhibit are some geysers that spout up water every now and then for enrichment. Items and toys made of natural, resistant materials are placed in the exhibit regularly, and sometimes a fake carcass is put in as well. This exhibit is home to 2.2 Grizzly Bears (the males are brothers, hoped to mate with the unrelated females, who are sisters), and the males and females are swapped into and out of the enclosure. The bears were eventually put into captivity after raiding campsites on multiple occasions, and were going to be put down before the zoo opened up space to take them in.

The second exhibit is located in the middle of the other two enclosures, and is around 15,000 square feet as well. The layout of this enclosure is similar to the grizzly exhibit, with a large rocky ridge in the center of their enclosure with some logs, some open meadows, scrublands with small evergreens, and coniferous woodland in varying degrees of density. Heated, flat-topped rocks and fallen trees allow the animals to elevate themselves above their surroundings. This enclosure lacks a large waterfall, but does have a pool at a bit higher elevation, which empties in small waterfalls as a stream into another shallow pool at the front. The substrate is dirt and mulch, and the trees are protected but to a lesser extent. There are some rock overhangs and caves near the ridges as well that the animals can enter for shade and to cool off. This exhibit lacks any glass window underneath, and guests view it from atop the stone viewing platforms. A hunting blind is present in the enclosure to simulate the eradication of the wolves in some areas. Enrichment items made of natural materials are present in the enclosure, as well as a fake carcass filled with meat, and a zip line like structure that can hold a piece of meat and send it through the enclosure so the wolves can chase after it. This exhibit is home to a pack of 2.5 Grey Wolves. The two original wolves were confiscated from an irresponsible owner and unable to be returned to the wild. The rest of the pack is their offspring.

The last enclosure, furthest to the left as guests see the prey exhibit, is the smallest at 10,000 square feet, and is also the only mesh-enclosed exhibit. While this breaks the illusion of the animals sharing the same space and being able to access each other, it is necessary due to the sheer jumping ability of the species within. This enclosure is much denser than the others, with large rock ridges, cliffs, boulders, and some trenches (ones the animals can simply jump out of). There is also open and dense coniferous forest with heavy ground cover of blueberries, salal, and ferns. There are also some smaller conifers on the rocky ridges. This enclosure has a waterfall cascading down into a pool near the middle of the enclosure, which is deep enough for the cats to swim in it as well. Logs propped up against the rocky ridges afford the animals some elevation, and the cats can also climb the trees in the exhibit, as it is covered. A forest road runs through the exhibit, with fences (but ones the cougars can easily jump over), and sawed down trees, representing the threats these cats face. Mock carcasses, meat hanging from ropes placed in the trees, a food zip line, and scattered food allow for some feeding enrichment, and items made of resistant materials are routinely placed in as well. This exhibit rotates between 1.1 Cougars, animals that due to injuries could not be returned to the wild.

The other exhibits are located not within the visitor pathway loop but outside of it, on the right of the path. There are four exhibits, two located on the left branch of the path and two on the right. One on each side represents prey, and the one bordering it represents the predator. The left path has two enclosures guests view from across a moat. The first enclosure is fairly wooded, with some open grassy clearings for grass growth. The substrate is soil and mulch. Ground cover is made up of salal, ferns, blueberries, raspberries, salmonberries, and rhododendron. Trees are composed of Douglas firs, Sitka spruce, cedars, alders, vine maple, and willows. This exhibit has a wide pool separating it from guests. Logs and flat rocks dot the exhibit. This exhibit has some rock walls making up the boundaries, but in these walls are small holes as well as large glass panes. This main exhibit is home to 1.2 Snowshoe Hares. The hares are not in fact injured and are healthy animals that could theoretically live in the wild.

Extending into the pool is a strip of land connected to the other exhibit, with salal planted on it and a few small logs. This strip of land is not connected to the hare exhibit but is rather part of the exhibit bordering it. It is too far away from the hare exhibit to jump, and is prevented from swimming by large rocks in the water; however, the animals can still see between the gaps in these and over them as well.

The exhibit with the peninsula extending into the hare exhibit is located right next to it, and has mock rock barriers. This exhibit is nearly identical to the one before it, but has no trees bordering the edges of the exhibit, which instead have dense ground cover of ferns and berries. There are logs and boulders, and the trees are not hot wired so the animals can climb them. There are some clean cut tree stumps and cut down trees as well, to reference deforestation. The animals can see into the hare enclosure thanks to the strip of land, the holes in the rocks, and the glass panes. Small carcasses and toys made of natural materials are routinely placed into this exhibit for further enrichment. This enclosure rotates between 1.0 and 0.1 Canada Lynx, rescued animals from private owners. Signs tell about the predator prey relationship lynx have with snowshoe hares, and how when hare populations dip or rise, the lynx populations do the same.

The right path has a large 1,000 square foot irregularly shaped enclosure which guests can look down into, and an aviary looking down into it, which extends both to the side and behind the exhibit. The enclosure has a soil substrate with patches of mulch, and has no trees at the immediate edges of the enclosure, though it does have pines, spruces, firs, alders, and small cedars. The corners of the exhibit are planted with tall grass, brush such as berries and ferns, and various weeds. Logs and a rocky ridge also dot the exhibit, as does a mock porch with tin trashcans and a wooden overhang. A faux doghouse is also present. The trees have some forks and hollows in them for the animals to hide out in, and provide enough shade to make the enclosure suitable for their generally nocturnal habits. A small pool is also present, deep enough at its center for swimming but shallow mostly throughout. The enclosure has some dens covered with grass as well. The exhibit is home to 0.3 Raccoons and 1.2 Striped Skunks.

Extending behind this exhibit and to the side of it is a P-shaped enclosure, with the thin part of the P behind the area behind the raccoon and skunk exhibit. This exhibit is fairly densely wooded and planted, but is tall and still has lots of space; it is around 1,000 feet in total size. Salal, ferns, berry bushes, and shrubs make up ground cover, while the aforementioned tree species make up the understory and canopy. A small pool is present, mostly for drinking. Wooden nest boxes, shelters, and platforms are present, but nest-making supplies are placed within as well. There are logs and boulders as well. A mock road is present through some of the exhibit, and fallen barbed wire can also be seen, representing some of the threats the inhabitants face from humans. The enclosure is home to 1.1 Great Horned Owls, one of which is able to fly and is missing an eye, the other of which cannot fly. The owls can look down directly at the raccoons and skunks below them thanks to how the exhibits are structured.

All the animals have large indoor structures, with the mixed species pairings having areas certain species can access due to climbing capabilities or distance between wooden posts that the other animals cannot reach. These usually have soil and or mulch substrate, often have resistant or fast growing plants thanks to glass skylights, large pools, logs or boulders, some rocky ridges for elevation, solitary pens animals can sleep in, and different isolation paddocks for calving or aggressive animals.


Species:
1. Rocky Mountain Elk (1.5)
2. Boreal Woodland Caribou (1.4)
3. Western Moose (1.2)
4. Wood Bison (1.4)
5. Grizzly Bear (2.2) (ABC Species #1)
6. Grey Wolf (2.5) (ABC Species #2)
7. Cougar (1.1)
8. Snowshoe Hare (1.2)
9. Canada Lynx (1.1)
10. Raccoon (0.3)
11. Striped Skunk (1.2)
12. Great Horned Owl (1.1)


Near all of these species are somewhat recognizable, save for maybe the hares. Kids and adults alike would be kept interested in the illusion of predators and prey being able to access each other and sharing space.

I'll take another theme, please.


This is above and beyond what I imagined for this challenge. I can practically see this being a real exhibit with all the scenery. The best part about this exhibit is that you took a relatively vague concept and spun it into something that I think could genuinely bring a lot of people to a zoo. Your next zoo is a member of EAZA and the theme is "The Kalahari".

Also since I forgot to consider more smaller animals as exhibits, if you design an exhibit that has glass vivariums/aquariums they will be counted separately from the total 12 animals you can choose on. These small animal exhibits will only apply to small reptiles (crocodile-like reptiles, large monitor lizards, and large tortoises will count for the original 12), amphibians, small to medium sized fish (basically a shark tank or large freshwater aquarium will count to the original 12), and invertebrates so mammals and birds will be counted for your original total. The total number of small exhibits you can have will be up to 20 and anything included above that number will be counted for the main total 12. Also, aquariums with multiple species of organisms will be counted as one from the original 12 slots you have just because depending on the size you could have an entire ecosystem in one aquarium. Just for an example reference this is how I scale each animal:

African Lion = 1 from the original 12 slots
Savannah exhibit with Common Ostrich, Masai Giraffe, and Grant's zebra = 3 from the original 12 slots
Saltwater crocodile = 1 from the original 12 slots
Cape cobra = 1 from the 20 small exhibit slots
Australian river exhibit with Australian lungfish, fly river turtle, and rainbow fish schools = 1 from the original 12 slots
Saltwater tank with Sand tiger sharks only = 1 from the original 12 slot
Giant pacific octopus = 1 from the 20 small exhibit slots

Sorry for throwing in a confusing new rule. If you have any questions feel free to ask.

I’ll take a theme

Your zoo is a AZA zoo and the theme is "Climate change"
 
Wild Indonesia: Sumatra

This would likely be an add on to an already, fairly rich zoo in northern, tropical Australia, or perhaps along the Sunshine Coast. Either way, the zoo will have been a part of the ZAA. Most of these species are readily available in Australian, or Southeast Asian zoos.

This exhibit would start out as an archway flanked by bamboo groves on each side forming a sort of natural barrier. From there the path would wind uphill flanked by bamboo with waterfalls trickling down beneath bridged sections of the pathway. At the very top the bamboo would clear out into a spectacular view of a crater-like lake flanked by mud banks.

The first exhibit is a series of small foliage heavy islands with tall wooden structures towering about 35 feet above the island each. These are each connected by ropes and are home to Lar Gibbon 1:1. These ropes eventually connect up to a large Southeast Asian style structure.

The path winds over the lake as a long bridge finally connecting up to the large red roofed, green engraved building. Inside is a large hall with three main sets of windows. To the left showcases the aforementioned Lar Gibbons. To the right is a very large atrium filled with climbing structures, nets, straw, and tire swings. This large atrium is home to Sumatran Orangutans 1:3.
Finally, at the far end of the plaza is a very size able terrarium placed near the exit. It comprised mainly of water with a bit of land lining the back wall. This land is planted sparsely. The bottom of the water is made up of large river stones and a bit of sand. This aquarium is home to the critically endangered Painted River Terrapin 1:2.
As the building ends, the path winds to a large forested area with a massive exhibit with tall trees and tall nets connected to the building. This is the outdoors area for the orangutans, again complete with climbing structures and varied enrichment items.
The path moves into extremely dense forest where the sun hardly reaches the floor. Once again, however, the forest opens up into a large clearing simulating a forest spring. The exhibit here is marshy and barriers seem to be non existent except for the path side, however it is a simple optical illusion with dry moats. This exhibit is home to Malayan Tapir 1:1.
Back into the forest the path winds coming across a large temple. The entrance is shaped as a large tiger and the entirety of it is made of mossy, long forgotten rock brick. The eyes of the Tiger are green as emerald. Inside are once again two glass panels each for a different species. On one side is the Sumatran Tiger 1:1. This exhibit displays only one Tiger at a time due to aggression although the hope is to one day breed the pair. The exhibit is sizeable and densely vegetated with trees and bushes to make for a tougher time spotting the animals, allowing a more authentic guest experience.
Opposite the tigers is a smaller exhibit home to Clouded Leopard 0:1. This exhibit, though smaller at a ground level, goes far taller than the Tiger exhibit allowing plenty of climbing opportunities for the small felines. The path once again moves on into the forest, but this time things are different.
The forests are uniform, geometric, in fact this is no forest at all. The stretch of path is occupied by palm oils. This plantation has been encroaching upon the natural habitat of these species, leaving less and less wild place for the magnificent species of Sumatra to go.
The plantation gives way to an expansive fishing village. The stilt-buildings are highly ornamental with vibrant greens reds and yellows. The village is located on yet another lake, and is bustling with activity. Props of marketplaces, baskets, and nets line the boardwalk streets. Within the buildings are a restaurant, a restroom, and a small gift shop. However, town hall is by far the most important, as well as largest building here.
Within the town hall are four indoors exhibits all of equal size. Each are planted throughout, two with a focus on climbing space, the other two with a focus on water. The vertically oriented exhibits contain Binturong 1:0 and Malayan Flying Fox 3:4. The water oriented exhibits contain Fishing Cat 1:0, and Asian Water Monitor 0:1.
After exiting the fishing village the path returns to the wilds with a view of a large pond surrounded by forest.
As the boardwalk becomes path once more, the two final exhibits come within sight. On the left side of the path is a massive netted exhibit planted with low to the ground foliage as well as a massive tree in the center. This exhibit is home to Sun Bear 1:0.
To the right hand side is a large plains type exhibit with several trees and bushes, but most importantly a large cave/ den. This exhibit is home to Dholes 2:3.
The path takes its final turn as it rejoins the main zoo pathway, concluding Wild Indonesia: Sumatra.
 
After a fair amount of brainstorming, I think I've got a decent idea. I really enjoyed coming up with this, so let me know what you think.

The River's Journey

The overall goal of “The River’s Journey” is to make visitors feel as though they’re in a walkthrough Planet Earth documentary in the sense that guests will learn about major components of what rivers and how they support life while going to specific set-pieces to explain those components. The bigger focus on the river itself and using specific locations is done primarily to set itself apart from St. Louis Zoo’s River’s Edge. I will imagine that this complex is in an area quite similar to the Saint Louis Zoo in terms of climate and space available.

Narrative Tour

The River’s Journey starts as an offshoot of the zoo’s main plaza. To the right side of the trailhead is the title “The River’s Journey” etched into a large rock. However, most people are instead going to be focusing on the left side of the trailhead, since it forms the left edge of a 364 square meter aviary for a group of inquisitive alpine birds. This is an aviary for Kea. (The dimensions are based on Orana Wildlife Park’s Walkthrough Kea aviary.) Half of the back of which is a mock-rock wall to invoke the alpine area where these birds venture and where many rivers start. Parts of the mock-rock cliffs having cooling elements underneath them to help the kea on hot summer days while still enjoying relative privacy through landscaping. The initial viewing gallery separates humans and birds by mesh, but there is a hut with a transparent panel in the wall. The transparent panel reveals a modular puzzle for the kea to obtain healthy treats. Before the kea are let onto exhibit, the keepers can arrange the components in one of several preset puzzles to be revealed to the parrot during demonstrations. However, the keepers do not have to come up with every configuration. For a small fee ($5.00) that goes to funding conservation projects in New Zealand, guests can build and submit their own parrot puzzle on the zoos website for the Kea to attempt during demonstrations. After guests leave the Kea gallery and continue into the trail proper, guests can read infographics about the uncertainty of the sources of today’s famous rivers such as the Nile and Amazon.

After moving from the alpine zone, you follow the creek that seemed to start in the Kea enclosure, a sand pit bordered by a gray mock-rock wall that is made to look like a cliff from the badlands in Hell Creek State Park. Here guests learn about the effects of erosion and how it transports minerals from mountains to oceans. There are several interactive elements, such as showing rocks that have been smoothed over time by water, and a ‘live’ demonstration showing running water over several rocks to show differing stages of erosion. There are also infographics explaining the fossilization process so that children can become paleontologists for 5 minutes while they search for fossils in the sand pit.

As you continue down the trail, you notice that there are more conifers than the rest of the zoo. You’ve been transported to the edges of a creek in the Sawtooth Mountains of Idaho. Here, guests will learn how the ocean used to transfer nutrients to the forests by salmon runs that used to go up the Columbia and Snake Rivers. (They still do, but they cannot go as far as they used to, and global warming threatens the remaining runs.) Guests will enter a cabin in the woods. Inside the cabin are a series of tanks for Chinook salmon where guests can learn about their extraordinary journey from river to sea and back again, and the threats to their journey including human dams. Looking out into the forest, you notice that something large is moving through the trees to the pool’s edge. It is one of the zoo’s orphaned grizzly bears. Bears can swim in the pool bordering the cabin, which has underwater viewing. There’s also a small shed-esque structure attached to the cabin so that visitors can catch a sleeping bear on occasion. The exhibit would be roughly the size of the Minnesota Zoo’s grizzly exhibit, which would make it around 1045 square meters.

As you continue from the cabin, you notice that the pine trees are becoming less common and you start to hear loud grunts. You go under an awning and you are in awe at how graceful the hippos move through the water. The exhibit itself is not too unique since it’s designed to mimic Saint Louis and Cincinnati’s Hippo exhibits. (If it’s not broken, don’t fix it.) However, the hippos are not the only animals here, there is a tank for lungfish (preferably marbled, but an Australian lungfish would suffice). These tanks help explain the impact that nutrients from large animals, such as hippo, have on the oxygen levels in the water, and how others, such as the lungfish, deal with low oxygen levels. This area has the loosest theme based on the Nile river.

After leaving the crowds at the hippos, you come into a comparatively tranquil clearing. All there is here is an acre of wetland where you can sit at a bench and listen to the frogs’ songs. As you go around the bend at the other edge of the clearing, you enter a mock-rock tunnel with an aquarium for the fish of the Mississippi river. The informational signs highlight the threats faced to the fish by both invasive species and agricultural runoffs. (Yes, this would emulate the aquarium at Saint Louis.)

After you exit the tunnel, you notice a long and narrow fishing boat that has ran aground to your right. On the wall of the boats shelter are several masks. These masks were made to protect people, since they are in tiger country. Welcome to the Sunderbans, one of the many places where the river meets the sea and where people and animals need to deal with not only the rising tides, but each other as well. Moving on from the boat we notice solar panels to your left and several huts surrounding them. Inside the huts, visitors learn how coexisting with tigers is quite difficult for the people who live there, how past methods, such as the masks, had limited success, and how new efforts, such as WWF India’s efforts to bring electricity to communities, may help limit confrontations by providing people different ways to make a living aside from going out into the mangroves (Source: In India's Sundarbans, People And Tigers Try To Coexist In A Shrinking Space). The solar panels continue on your left after you pass the huts, while the stars of the show are to your right in two 511 square meter habitats. Each one is the size of an average tiger exhibit at AZA institutions circa 2012. Connecting the two exhibits is a viewing shelter designed to look like a forest ranger’s station where visitors can learn about tiger biology, behavior, and how they adapted to the Sunderbans. Inside the ranger station is a donation box, where proceeds will go to both human development projects and tiger conservation projects in both the Sunderbans and beyond. (You have to give something to either Sumatran or Malayan tiger conservation projects since the tigers would be either of those two subspecies.) Both exhibits have pools, but the one further down the trail is a bit larger. However, there are other viewings aside from the ranger’s station for each habitat. In particular, there is another stranded boat, but it is large enough so that a tiger can rest underneath the deck in a cooled area as visitors look through glass.

Although the Sunderbans is the final region of the River’s Journey, the tigers are not the finale. There was a reason why there was a larger field of solar panels. Those panels help provide power to an expansion of the aquarium building, the mangrove. Here, visitors step into a simulated mangrove where they can see the odder sides of the mangrove as well as more familiar river denizens. The guests start at ground level, but they seem to descend into the water as they move further down the forking path. On one side of the fork are exhibits for some of the largest denizens in the building. The shallower land side is home to a pair of Asian small-clawed otters while the deeper end is a pool and sandbar for a saltwater crocodile. The space on the other fork is a bit thinner since it is home to initially horsehoe crabs, then transitions to softshell turtles, and then finally a tank with Banded Archerfish, blue-spotted stingray, orbicular batfish, green pufferfish, and short-nosed tripodfish. Between the two forks is a simulated mudflat backed by some trees containing fiddler crabs, mudskippers, and hermit crabs. The River’s Journey ends with guests in underwater tunnels viewing either the crocodile or the fish as they head into the ocean. Well, in this case it’s the aquarium, but it’s close enough to evoke the feeling.

Behind the Drawing Board

The technical details for indoor mangrove portion are less concrete. The fish and invertebrate species are based off of the Living Coast’s mangroves exhibit, so if there needs to be further separations or unavailability of species to AZA institutions, I completely understand. I’m not quite knowledgeable for either of those. I assume the mudskippers and horseshoe crabs would be the Atlantic variants, the softshell turtle would probably be a Florida softshell turtle, one could substitute the saltwater crocodile for an American crocodile, and you’d need to use either Malayan or Sumatran instead of Bengal tigers, but if the San Diego Zoo was willing to use Amur Leopards for Africa Rocks, then I think those substitutions should slide. Finally, this building is probably going to be space intensive, the onstage area alone would be at least 1000 square meters. The Dallas Zoo’s Small-Clawed Otter exhibit and the croc exhibit at MOLA in Fort Worth would be 500 square meters by themselves, so it seems fair that you’d need 1000 square meters or a bit more for everything else onstage (and even more space for the backstage). So that may make it an unrealistic amount of space, but I feel as though the indoor mangrove may be similar in cost to the elephant exhibits and barn at Saint Louis. (I'd happily be corrected if someone knows better.)

In terms of exhibit space, The River’s Journey would have a total outdoor exhibit area of 2/3 of an acre, so it’s definitely much more compact than The River’s Edge at Saint Louis. (My very rough lower bound estimate from using the Area Calculator [Area Calculator - Outline a property on a google map and find its area] is about 3.64 acres.) However, including the Mangrove building puts the total exhibit area to roughly an acre. However, that acre is probably going to cost a bit more than an acre of The River’s Edge. Overall, The River’s Journey seems somewhat feasible from a cost/complexity perspective.

There were originally going to be more species and another transition section, but I felt that these species should be cut to maintain feasibility and to improve the narrative flow. The cut species were: Beaver, Moose, Bald Eagle, Japanese Giant Salamander, and Shoebill.

I chose the Kea as the alpine lead since it’s an inquisitive species to draw people into the area, and zoos in US can’t really build a fully-themed New Zealand area, so you’re not removing the stars of potential other trails by using Kea instead of other alpine stars such as the snow leopard. I was also planning on using the tiger, so having two large cats would limit the diversity of experiences a visitor would have along the trail. Kea also can handle a wide variety of temperatures, so they’ll be out on most days which would help attract visitors to the trailhead.

I knew I wanted to highlight the salmon run, but I believed that replicating Brook’s Falls in Katmai National Park would be infeasible for any institution. So, I settled on the Columbia/Snake River basin as a compromise.

I wanted each of the star species to be attractive, but not the only charismatic megafauna for a stereotypical zoo-region. That's why I choose to not represent the Amazon river since I felt as though there's only really one charismatic megafauna species (the jaguar), and to use it for The River's Journey would make it hard to have a headliner for an Amazon Rainforest area.

I decided on an indoor exhibit for the small clawed otters based on the temperatures they would experience in a place like Saint Louis and what I read in the AZA’s animal care manual for Otters, but I decided to give them a fair amount of space based on an outdoor exhibit to compensate instead of minimizing their space (*ahem* Minnesota Zoo).

Fin
 
I like how every animal in this exhibit has some level of charisma and the emphasis of visitor interaction. Overall pretty good. If you are interested in doing another one it will be a zoo from ZAA and the theme will be "Nocturnal".



Welcome to the Twilight Zone, a massive open air nocturnal house featuring open-topped exhibits for some amazing nocturnal species and free flying bats. This isn’t your typical nocturnal house with a few glass-fronted exhibits, this is something different. The whole area feels like you are truly in the Australian country, during the night. Featuring several fake buildings, fake trees and mock rock to really give you the feeling that you're outdoors, except your not.


You start your journey into the dark inside a dimly lit cavern. This cavern features fake stalactites and the sound of dripping water played through hidden speakers. On the walls of this cavern you can see incredible examples of aboriginal cave paintings. About half way along the cave, there is a single, large terrarium with reverse lighting for an Coastal Taipan. This exhibit is quite large for a snake and features a strip of concrete down the middle with a heat lamp above. This simulates the roads of the outback that the taipans will bask on during the morning and evening. Either side of the ‘road’ there are two banks featuring sandy dirt and long grass, simulating the natural environment of the snakes. This species will bring the ‘cool’ factor to children and adults alike with several standout signs explaining the potent venom of both the coastal and the more dangerous inland taipan.


You now exit the cave and get your first view of something spectacular, the sound of an owl hooting over speakers and the amazing fluttering of bats over your heads. At this point you are standing on a balcony overlooking the whole indoor section, you can see all of the exhibits and theming below you and you are excited to see what’s to come. The path veers of to the left and a small ramp takes you to the ground level of the house. The first exhibit in here will be on your left, a medium-sized aviary for the cute Boobook Owl. This exhibit will feature a large ‘eucalyptus’ tree in the centre of the aviary, holding it up. There are several perches extending off here. The exhibit also features a much smaller tree and a rock formation with a small hole at the top where the owls can hide.


The path continues and you now hear the sound of splashing water. You round the corner and see a large glass panel providing underwater viewing for this exhibit. The exhibit itself has a large, quite deep pool and a smaller land area featuring rocks and small plants. The inhabitants of this exhibit is a group of Freshwater Crocodiles. At the back of this exhibit there is a raised fishing hut on stilts that visitors can enter and have an overview of the exhibit. There is lots of theming around the viewing area, with yellow warning signs saying things such as ‘Warning Crocodiles’.


The path continues on to an open area with a few big trees on the left of the path. This isn’t an exhibit but this is where the huge group of free-flying Black Flying Foxes hang out. The fake trees have lots of perches and areas where fresh fruit is placed to encourage the bats to come closer to the visitors.


The path rounds a corner and a large, steep rocky hillside comes into view. The exhibit appears to have no barriers, but it is actually separated from the public by a hidden dry moat. This exhibit features lots of rocky ledges and caves that go into the rock. This exhibit holds several Black-Footed Rock Wallabies. These animals will appeal to children as of the ‘cute factor’.


Directly across from this exhibit, on the left side of the path, is another, smaller one. This one has two small trees with lots of branches and climbing structures in between. The exhibit is glass-fronted but open-topped. It holds Common Brushtail Possums. The back of the exhibit is one of the walls of the largest structure in the Twilight Zone, a tall house which visitors can enter, we will get to this area later.


Now, we come to a small, low-fenced exhibit. The exhibit is covered in logs, rocks and tall grass to provide hiding space for the Short-Beaked Echidna.



Now we get to the stars of the Twilight Zone. Firstly there is another set of trees for the Flying Foxes. Then we get to an exhibit similar to the one for echidnas but a little larger. Visitors can get right up to the fence and view Southern Hairy-Nosed Wombats up close. These animals will also bring the cute factor for the children. Now we enter the house we talked about earlier. Inside this house, there are two indoor areas for two previously mentioned animals along with a small viewing opportunity into the final, and most popular, exhibit in this area. The fist indoor exhibit is for the wombats, it is quite small but features lots of hiding places amongst the house theming. Their exhibit is based around a table and a few chairs as well as several cupboards at the back, some of which are opened up with lots of bedding inside, providing the animals with a place to sleep. Above the cupboards there is a worktop with lots of pots and pans to continue the theming. This indoor area is glass-fronted.


The next indoor area is for the Possums. Their area is similar in size to the wombat one but features lots of climbing opportunities in the form of branches and poles. These climbing areas are centres around a bed. This bed continues the house theming and is also where their food is placed. This exhibit is also glass fronted. Finally, in this house, visitors can look out of the window to get a glimpse into the next habitat.



As the visitors leave the house, they are greeted immediately by the most popular exhibit in the Twilight Zone. A long but narrow habitat for Queensland Koalas. Their habitat features two fake eucalyptus trees interconnected by lots of branches and poles providing lots of climbing opportunities for the koalas. These animals can be viewed over a fence so small it looks like you are in their exhibit. There are lots of benches behind the path so visitors can sit down and enjoy watching these adorable animals.


The last habitat in the Twilight Zone, is something that probably wouldn’t be expected. It is a medium sized area surrounded by a fence that holds a group of European Rabbits. This symbolises the rabbits invading the natural territories of these Australian-native animals and destroying their habitats. There is a big display with several signs that explains this in detail as well as a smaller one explaining it simply in a cartoon-style for the children.


You exit the Twilight Zone through a cave similar to the one you entered in, except this one opens out into a gift shop where you can buy cuddly toys of some of the animals you have just seen as well as other things. This brings more income to the exhibit as children and families will likely want a souvenir.
 
This one is going to be a little different.

Your goal is to make an exhibit that will bring money and visitors to a zoo. .... Think of me as a "Shark Tank" investor (except I won't judge :D) and pitch the designs to me as if they are being pitched to a zoo.
What is the profitability part of this challenge? Participants are describing their sexiest exhibit complex with a conservation angle - much like so many other Zoochat threads.
What is different with your challenge that addresses profit?
 
What is the profitability part of this challenge? Participants are describing their sexiest exhibit complex with a conservation angle - much like so many other Zoochat threads.
What is different with your challenge that addresses profit?

I think the objective is to make an example which has a limited number of animals which would draw in normal visitors, not just crammed with unrealistic rarities or overloaded with a species list of the area copied and pasted off Wikipedia or eBird. :) Whether the people who undertake the challenge do so fulfilling the criteria is subjective and up to you, but that is the objective of this thread if I am not mistaken.
 
What is the profitability part of this challenge? Participants are describing their sexiest exhibit complex with a conservation angle - much like so many other Zoochat threads.
What is different with your challenge that addresses profit?

Just as @amur leopard said, to create something that isn't stupidly over the top in terms of species lists and focus more on the attraction. To create something that will get the visitors coming and get your zoo some profit. This is very different from what is usually on here. The usual fantasy zoos/exhibits are usually just a long list of unrealistic species without taking into consideration what it looks like/how it is for the visitors and if it will actually make money.
 
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