2. Taking shape
While I was still studying at university, a popular toxicologist (no, not Bryan Frye) was invited to give a lecture there on animal toxins. I attended said lecture, and really enjoyed myself (also thanks to him being a very knowledgeable and approachable speaker). This talk sparked a little idea that over the years started to sprout, fueled by further random cases, accidental discoveries and novel experiences.
As Chli pointed out in another thread (#30), pretty much all of us have written down grand zoo design ideas, and that way before the internet. So did I - even though "African Savannah" was never among them... But what really changed my point of view was the aforementioned William G. Conway's article "How to exhibit a bullfrog". People who know me are aware that I tend to refer to this rather simple article again and again. That's because I think that it addresses several vital aspects modern zoos tend to lose focus on. I started to observe the behaviour of zoo visitors (what is usually referred to as "Stuff you see or what people do that irritate you when you go to the zoo?"), listen to their opinions, compared different educational and representative approaches of zoos, studied the associated literature and began to conduct some "field experiments" on my own (no neurosurgery or sinister mind games involved). Based on this, I began to construct a concept while still studying, working and finding my place in life. I met my future wife, married, found the job I currently work in and fathered children. The concept was still there, but kinda tucked away as a future project (like writing a novel or learning a new language).
One day, I corresponded to a lovely senior American gentleman I had met at a Zoohistorica outing. He happened to be one of the grand zoo people back in the days and is now a zoo /circus historian - and a pen pal of mine. Lovely fellow; some seasoned ZC members might know him, too. Out of a whim, I mentioned my concept, not thinking much about it. He asked me whether I could send him a synopsis of it. Sure, why not. A few weeks later, he lets me know that he had shared my concept with some of the older curators, among them William G. Conway. And they loved it! Conway himself said something along the lines "Give the fellow some money so that he can build it."
While I was still studying at university, a popular toxicologist (no, not Bryan Frye) was invited to give a lecture there on animal toxins. I attended said lecture, and really enjoyed myself (also thanks to him being a very knowledgeable and approachable speaker). This talk sparked a little idea that over the years started to sprout, fueled by further random cases, accidental discoveries and novel experiences.
As Chli pointed out in another thread (#30), pretty much all of us have written down grand zoo design ideas, and that way before the internet. So did I - even though "African Savannah" was never among them... But what really changed my point of view was the aforementioned William G. Conway's article "How to exhibit a bullfrog". People who know me are aware that I tend to refer to this rather simple article again and again. That's because I think that it addresses several vital aspects modern zoos tend to lose focus on. I started to observe the behaviour of zoo visitors (what is usually referred to as "Stuff you see or what people do that irritate you when you go to the zoo?"), listen to their opinions, compared different educational and representative approaches of zoos, studied the associated literature and began to conduct some "field experiments" on my own (no neurosurgery or sinister mind games involved). Based on this, I began to construct a concept while still studying, working and finding my place in life. I met my future wife, married, found the job I currently work in and fathered children. The concept was still there, but kinda tucked away as a future project (like writing a novel or learning a new language).
One day, I corresponded to a lovely senior American gentleman I had met at a Zoohistorica outing. He happened to be one of the grand zoo people back in the days and is now a zoo /circus historian - and a pen pal of mine. Lovely fellow; some seasoned ZC members might know him, too. Out of a whim, I mentioned my concept, not thinking much about it. He asked me whether I could send him a synopsis of it. Sure, why not. A few weeks later, he lets me know that he had shared my concept with some of the older curators, among them William G. Conway. And they loved it! Conway himself said something along the lines "Give the fellow some money so that he can build it."
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