A Guidebook Library: TLD's year-long randomised walkthrough of zoo guides

Day 61: Zoo Berlin (1903) - Red Deer Stag

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Page count: 120 pages (including photographic plates)
Photographs: 32 black and white photographs
Illustrations/diagrams: 25 illustrations of animals, houses and exhibits, and assorted advertisements
Layout: Comprehensive walkthrough account of collection, preceded by historical account of Zoo Berlin and with assorted advertisements throughout.
Map: Fold-out at rear of guidebook

And so we move onto the next Zoo Berlin guidebook of the three which I will be discussing over the next few days; this particular item, as can be seen from the scan of the front cover visible above, is one of the guidebooks in my collection which has most been affected by the ravages of time, with the binding in relatively poor condition and scuff-marks and creases marring a substantial portion of the cover. It is also one of the first guidebooks from Zoo Berlin that I obtained after first deciding that I would seek them out in earnest several years ago, having previously picked up guidebooks from the collection in a fairly haphazard and absent-minded fashion. This particular guide book was purchased from AbeBooks, after I stumbled across a remarkably cheap copy (around £15 as I recall) by pure chance.

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Despite the identical front cover when compared to the 1903 edition, and indeed the 1906 edition which will be discussed anon, upon first opening this guidebook and viewing the interior title page it is immediately apparent that there *are* differences both subtle and more major between editions; most notably, whilst the authorship of the 1903 Guidebook was credited solely to the director of the collection, Dr Ludwig Heck, one will note that here he is credited alongside his scientific assistant Dr Oskar Heinroth. The latter would ultimately prove to be almost as influential in the history and development of Zoo Berlin as the former, being instrumental in the construction of the Zoo-Aquarium some years after the publication of this guide book, and serving as the first director of the aquarium until it was all-but-destroyed during the ravages of World War II. Heinroth himself would die from pneumonia and starvation a few weeks after the end of the war in Europe, with his widow Katharina Heinroth becoming the first post-war director of the Zoo. As such, in my opinion this guidebook marks an interesting and important point in the overall history of Zoo Berlin; although the historical "story" of a zoological collection may often be assumed to primarily comprise the events which shaped it, the construction of significant exhibits or the arrival of noteworthy species, it is equally valid to view the moments when particular individuals first enter the story as no less pivotal.

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The aforementioned damage to the binding of this guidebook does provide one useful benefit; whilst my copy of the 1903 edition was too stiff and rigid to satisfactorily scan many of the pages within, with text omitted within the curve of the page into the spine, it has proven significantly easier to scan the pages within this particular edition. This has allowed me to scan the introductory pages from the historical discussion which opens the main body of the text; this means that I can now not only present an image showing the attractive illustration of the Wiener Kaffeehalle of which I spoke in the previous post - along with an interesting advertisement for a Viennese restaurant located in the city centre of Berlin which was not present in the relevant section of the 1903 guidebook - but also provide a general overview of the presentation and format of the historical discussion itself. Although this section covers the same number of pages as that in the previous edition, and the typeface used is still the ornate and attractive style I have both lauded and bemoaned in previous posts, I strongly suspect that the text itself has been edited and expanded; the typeface here is noticeably smaller and more densely packed than in previous editions and as such, it is a reasonable assumption that more content overall is present. Something similar is the case within the walkthrough account of the collection which comprises the bulk of the guidebook.

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As previously noted I will be fairly succinct when discussing the walkthrough section, saving in-depth discussion - and opening the floor for questions and feedback - for a supplementary post which will come after I have completed all three discussions within this short run of Zoo Berlin posts. It goes without saying that the various positive aspects of the walkthrough discussion present within the 1903 guidebook - the highly attractive artwork, the copious black-and-white photographs depicting animals present within the collection at the time of publication, and the highly detailed species by species accounts - are all also present here; however, the precise layout of the sections differs quite markedly between the two editions, with some portions of the text very obviously expanded whilst others have been abridged. Furthermore, whilst many of the photographs within this guide book also occur within the preceding edition, in many cases the location and layout of these photographs within the text has been shuffled around significantly; for instance - as can be seen below - the photographic plate depicting Thylacine also includes a photograph of a dingo, and occurs alongside the discussion of the Antilopenhaus. By comparison, within the 1903 edition this photograph is located on a plate located elsewhere in the text which also depicts Malayan Porcupine, as can be seen within the previous post.

Given the aforementioned ease of scanning the pages within this guidebook, this also seems an opportune point at which to provide further images showing the highly-attractive and eye-catching illustrations of exhibits and houses within the text; as such I have selected double-page spreads which include images of the "Neue Affenhaus" and the Antilopenhaus to complement the images provided in the previous post.

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The guidebook concludes, as usual, with a comprehensive index and contents page for the species/exhibit walkthrough account, followed by a highly attractive and detailed fold-out map of the collection located within the back cover of the book. Along with more obvious alterations to the map - the apparent demolition of the horse tramway terminus, the construction of a block of canine exhibits, and general landscaping work across the site - it also appears to have been comprehensively re-drawn from scratch, albeit in a very similar style, with the linework being somewhat more bold and brash, and tree cover rendered in a different fashion. Subtle changes such as these are rather interesting in their own right, both on historical, zoological and artistic grounds, and demonstrate how rewarding it can be to examine these guidebooks with care and attention to detail.

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Again, a very interesting and valuable historical document, an informative guidebook to the collection as it stood at the time of publication, and an attractive and aesthetically-pleasing work of art and literature; although the differences between this and the 1903 edition may seem to be fairly superficial on the surface, as I have noted elsewhere I feel reasonably confident that once I am able to interpret the ornate typeface used more effectively, I may be able to find more pronounced differences between these two editions, and better understand how they chart the development of Zoo Berlin in the opening years of the 20th century. Once again it goes without saying that although I intend to discuss the species and exhibit accounts anon, and hope that this sparks lively discussion in its own right, I would be very much interested to receive any and all feedback, comments, or indeed criticism which does reading this thread may have to offer in the meantime.
The disappearance of the horse tramway is not a surprise, in that horse tramways worldwide were largely replaced by electric tramways (streetcars to our American friends) or closed at this time. I wonder where it went, my best guess is a railway station.
 
The disappearance of the horse tramway is not a surprise, in that horse tramways worldwide were largely replaced by electric tramways (streetcars to our American friends) or closed at this time. I wonder where it went, my best guess is a railway station.

Well, Berlin certainly has a pretty comprehensive electric tram network now - although given the near-total destruction of the city over the course of WWII it certainly dates to after that point in time! As regards the horse tramway running through Tiergarten and terminating at the zoo, I do not think anything actually replaced it; none of my subsequent maps of the zoo or the Tiergarten to the north and east show anything of the sort. The area where the terminus was located was absorbed into the zoo footprint over the subsequent years, with the Zebra House which was built there in 1910 still surviving now:

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Day 62: Zoo Berlin (1906) - Red Deer Stag

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Page count: 126 pages (including photographic plates)
Photographs: 32 black and white photographs
Illustrations/diagrams: 38 illustrations of animals, houses and exhibits, and assorted advertisements
Layout: Comprehensive walkthrough account of collection, preceded by historical account of Zoo Berlin and with assorted advertisements throughout, concluding with discussion of new exhibition hall complex and further advertisements.
Map: Fold-out at rear of guidebook


This, one of the most recent items to enter my collection, comprises the third and final version of the "Red Deer Stag" guidebook issued by Zoo Berlin in the opening years of the 20th century; although I have no way of knowing where precisely this guidebook has travelled for much of the sixty years prior to falling into my possession via an eBay purchase, or how many individuals have owned it, the book-stamp visible on the interior title page suggests that for many years it was in the possession of one Gustav Schneider, who before his death in 1958 was a curator, zoologist, and animal trader based at the Zoological Institute of Basel. Given he is known to have been active at the turn of the century, it is entirely possible that he was even the original owner of this guidebook.

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As I have already noted when discussing the immediately-preceding editions, the level of quality visible within the illustrations and photographs in this guidebook is beyond reproach; the photographs present a wide range of interesting and unusual species, several of which are either entirely extinct or all-but-unknown in captivity in the present day, whilst the illustrations - often reminiscent of art nouveau - do a very good job of depicting the various exhibits and houses present within the collection at the time of publication. Given the fact that the walkthrough discussion of the species and exhibits within Zoo Berlin follows the same basic outline in all three editions which I have discussed recently, this post relating to the 1906 guidebook in particular will - as I have stated in previous posts - be immediately followed by a supplementary post, in which I will detail the various sections which the walkthrough account are subdivided into; this will hopefully provide a jumping-off point for questions, feedback and queries, as well as giving those individuals reading this thread some sense of the range of species displayed at the collection. This will, in turn, hopefully allow people to ask more specific questions about the species and taxa displayed in given sections of the collection, and how the species may or may not have changed over the course of the three guide books discussed here.

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However, this guidebook does contain one major segment which is novel to this edition alone; after the main body of the walkthrough account, several pages are presented comprising discussion of the newly-constructed "Austellungshalle" or exhibition hall, occupying a reasonable portion of the south-west corner of the zoo, in an area which had previously contained lawns, greenhouses, and areas for temporary outdoor exhibits. Over the following decades, this structure was to house various restaurants, exhibitions, a theatre and cinema, and a variety of shops and services; having been destroyed beyond repair during WWII it was ultimately replaced (in part) by the Zoo-Palast cinema which stands to this day. This discussion is followed by several pages of advertisements; as I have already discussed, advertisement material has been scattered throughout the main body of these guide books, and the 1906 edition is no exception in this regard, but this is nonetheless the first point in time where several advertisements have been clustered in a single location.

As such, this strikes me as an opportunity point at which to discuss the advertisement material which has been present throughout all three of these guidebooks. As one can imagine, many of the advertisements within these guidebooks - especially the smaller single-panel adverts - promote a variety of bars, restaurants and Konditorei across Berlin, with several of these advertisements being replicated across editions in some form or another. One of the most historically-notable examples is the presence within all three guidebooks of material pertaining to the luxury restaurants and hotels established by one Lorenz Adlon, a wine merchant and restaurateur, specifically his site immediately-adjacent to the Zoo itself. The primary Hotel Adlon on Unter Den Linden, immediately adjacent to the Brandenburger Tor, was for several decades one of the most prestigious hotels in the world, before being all-but-destroyed during WWII and ultimately demolished during the Cold War; a new hotel bearing the name has since been constructed on the site, and is once again one of the most prestigious (and expensive) hotels in Germany. I rather suspect that among the businesses cited within these guidebooks, this will be one of the very few which (even if in name only) survived beyond the end of WWII, let alone into the modern day; many will have been destroyed during the war itself, of course, but it is highly likely that some - at least - were victim to Kristallnacht and the Holocaust that followed. The only other business cited in these advertisements which I know for sure survived into the present day is the Mampe brand of liqueurs and spirits, which continues to operate to this day.

Other than those pertaining to restaurants, coffee shops and so forth, there are several other unusual and interesting advertisements within these three guidebooks worthy of mention; as such I will briefly highlight some of the examples I think might most interest those reading this thread:

  • A double-page advertisement within the 1903 guidebook for what appears to have been a butchers, fishmongers and delicatessen with an outlet located close to the Zoo - complete with a photograph of their main premises.
  • An advertisement in the 1905 guidebook for "Heureka" - a brand of hair nets, pads and other accoutrements intended to accentuate women's hairstyles.
  • An advertisement in the 1906 guidebook for a animal dealer and wholesaler operating out of premises in Alexanderplatz, east of the city centre.

As I suspect I have mentioned many times in the past, one of the more subtle reasons I find reading and collecting old zoo guidebooks so fulfilling - no matter their origin - is the fact that the advertisement material which is often found within provides a valuable insight into the cultural and socio-economic landscape within which the zoological collection in question is situated; as such, their value as a primary historical resource is by no means limited to their status as a zoo guidebook.

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The map for this guidebook is, once again, extremely gratifying to examine at some length; it is well-designed and informative, containing a great amount of detailed information about the state of Zoo Berlin at the time of publication, and conveying this information in a simple but aesthetically-pleasing manner. This particular iteration of the Zoo Berlin map appears to display slightly more subtle and delicate line-work than the 1905 edition, whilst thanks to the presence of the Austellungshalle on the south-west perimeter of the zoo it is also one of the more visually distinctive of the zoo Berlin maps I have discussed in recent days. As I am certain I have expressed several times in the past, I feel that the maps printed by Zoo Berlin during the opening decades of the 20th century represent not only extremely-valuable items of zoo history, but also works of art in their own right; to a greater or lesser extent this can be extended to the maps present within the entire "canon" of Zoo Berlin guidebooks from 1901 onwards to the final guidebook published by the collection in 2013.

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I will, as previously noted, provide a post-script to this post listing the various segments which the main walkthrough account of the exhibits and species within Zoo Berlin has been broken down into within these three guidebooks; this will, I hope, provide a jumping-off point for people to ask about the various species held within a given house or exhibit, and for wider discussion and feedback. However, where this particular guidebook is concerned, it only remains for me to say that it is an extremely well-produced and informative document which is extremely attractive on aesthetic grounds, highly interesting both as a zoo guide and a historical document pertaining to Berlin as a whole, and provides a valuable insight into a wide range of zoological and sociological subjects.
 
As a postscript to the above post, the following comprises the various segments and section headings within the 1903, 1905 and 1906 guidebooks for Zoo Berlin; the precise order varies slightly from edition to edition, and one section (discussing the same portion of the collection) is renamed between editions, but otherwise these sections are fairly consistent. However, the content of any given section does tend to vary from edition to edition - sometimes quite markedly:

Pferdehaus (Horse House)
Kleinere Raubvogel und Euelen (Small birds of prey and owls)
Große Raubvogel (Large birds of prey)
Neptunsteich (Neptune Pond) - only 1903
Teich am Hauptrestaurant (Pond at main restaurant) - not 1903
Schwane und Wildganse (Swans and wild geese)
Großes Raubtierhaus (Large Carnivore House)
Neuer Bärenzwinger (New bearpit)
Pelikanteich (Pelican pond)
Unterteich an der Waldschenke (Lower pond at the Forest Tavern)
Uberteich an der Waldschenke (Upper pond at the Forest Tavern)
Waldschenke (Forest Tavern)
Wasserflugkafige (Water flight-cages)
Steltzvogelhaus (Wader House)
Neues Vogelhaus (New Birdhouse)
Großes Flugkafig (Large flight-cage)
Der Alte Bärenzwinger (Old bearpit)
Europaische Wildenten und Schwane (European wild ducks and swans)
Wildschafe und Wildziegen (Wild sheep and wild goats)
Das Neue Affenhaus (New Monkey House)
Das Alte Affenhaus (Old Monkey House)
Nagetiere (Rodents)
Vierwaldstadter See
Wildschweine (Wild pigs)
Elefantenhaus (Elephant House)
Straussenhaus (Ostrich House)
Nilpferdhaus (Hippo House)
Das Huhner-Karussel (Hen Carousel)
Hundezwinger (Dog kennels)
Fasanerie (Pheasantry)
Aussichtsturm (Observation Tower)
Huhner-und-Taubenhaus (Hen and Pigeon House)
Das Kleine Raubtierhaus (Small Carnivore House)
Einheimische Raubvogel und Raubtiere (Native birds of prey and carnivores)
Ziegen-und-Schafhaus (Goat and Sheep House)
Antilopenhaus (Antelope House)
Kamelhaus (Camel House)
Lama-und-Gemsenberg (Llama and Chamois Mountain)
Hirsche (Deer)
Rinder (Cattle)
Fischotter Becken (Otter pool)
Haus fur Halbaffen, Beuteltiere etc (House for Small Monkeys, Marsupials etc)
Seelowen Becken (Sealion pool)

If there are further details desired for any of these sections - whether in general, or across multiple editions - I would be very happy to oblige; as noted previously, the more discussion, questions and feedback these posts provoke, the better!
 
Over the following decades, this structure was to house various restaurants, exhibitions, a theatre and cinema, and a variety of shops and services; having been destroyed beyond repair during WWII it was ultimately replaced (in part) by the Zoo-Palast cinema which stands to this day.

Cinema, as in movie theater? Is that still part of the zoo, and what kind of movies do they show?

A double-page advertisement within the 1903 guidebook for what appears to have been a butchers, fishmongers and delicatessen with an outlet located close to the Zoo - complete with a photograph of their main premises

Did zoos largely produce their own carnivore feed back then, or would they have had relationships with local butcheries for meat? I wonder if butchers could have gotten ads in guidebooks and other zoo materials as part of having a close relationship with the zoo, or by discounting some of their product in lieu of paying advertising fees. Ditto on the animal dealers as well.

Hundezwinger (Dog kennels)

Are these dogs exhibit animals or the home for working dogs the zoo had for various purposes?

Also a question about the map: do you know why the Elefantenhaus has seven paddocks? That seems like a lot for that time period given there were only 2 or 3 species then.
 
Cinema, as in movie theater? Is that still part of the zoo, and what kind of movies do they show?

A movie theatre, yes - the Austellungshalle, and by extension the Ufa-Palast am Zoo cinema which occupied the structure from 1919 until 1943, were never actually *part* of the zoo per se, but rather was built on land owned by the zoo and was one of numerous tenants who helped to fund the collection; the lengthy passage in the 1952 guidebook which I translated for my thread on the impact of WWII on Zoo Berlin contains the following segment relating to this subject:

In any case, the zoo has only ever rarely been able to survive solely on the income received from visitors; zoos are almost always subsidized by grants from the city coffers, but until now our Berlin Zoo had never been a burden to the city, having received additional income from the houses and buildings that were built on surrounding land owned by the zoo decades ago. With this rental income, it was possible for the zoo to survive the income-free winters. After the end of the war, these peripheral buildings surrounding the zoo were destroyed, and this large source of income therefore ceased.

The Ufa-Palast am Zoo was the location of several highly-significant movie premieres both during the Weimar Republic and the Third Reich, including the Fritz Lang films M and Metropolis, and the Nazi propaganda films Triumph des Willens and Olympia. Given the fact that Metropolis is one of my favourite films, but all versions released after the premiere were severely edited and truncated (and the full-length version lost for many years until a severely-damaged copy was found in an Argentine archive print) it is probable that were I able to travel through time to visit Zoo Berlin during the 1920s I would aim for that particular time!

The current Zoo-Palast cinema was built in 1957 on the site of the original; I do not actually know whether it is still a tenant of the Zoo, or whether the freehold of the site has transferred elsewhere over the decades. It is, however, an entirely "normal" cinema in terms of the films it shows.

Did zoos largely produce their own carnivore feed back then, or would they have had relationships with local butcheries for meat? I wonder if butchers could have gotten ads in guidebooks and other zoo materials as part of having a close relationship with the zoo, or by discounting some of their product in lieu of paying advertising fees. Ditto on the animal dealers as well.

Quite a few of the guidebooks in my collection - including several from Zoo Berlin and London Zoo, and the 1920's guidebook for Bristol Zoo of which I wrote several weeks ago - do indeed contain advertisements for butchers, greengrocers and other food suppliers, along with animal dealers, which make no secret of the fact that they were suppliers for the collections in question! As such I rather suspect that your theory about some of these advertisements being payment-in-lieu, at least in part, is spot-on.

Are these dogs exhibit animals or the home for working dogs the zoo had for various purposes?

Given the ornate typeface within the guidebook, and the aforementioned difficulty it presents in my interpreting the text, the following took a *very* long time to translate :p given the fact I had to work out what it said in German before being able to translate it through a mixture of my own faltering grasp on the language and Google. I have translated the text from all three guidebooks; the basic summary is that this area was planned to hold exotic species of canid, but at the time of publication primarily held a range of unusual domestic breeds.

1903

Hundezwinger wird früher oder später einer umfassenden Anlage für alle hundeartigen Tiere (auch Wolfe, Schakals, Fuchse, Hyanen) meichen mussen. Von besonderen Interesse und im zoologischen Garten besonders am Platze find die aussereuropaischen Rassen: Tibethund, Japanischer Tschin (Geschenk von Rer & Co.), Chinesicher Spitz, Tuareghund, deutsschostafrikaner Hund, Togohund, Papuahund aus Deutssch-Neu-Guinea; sudrussischer Schaferpudel, Geschenk von Friedrich Falz-Fein; Livlander Bracke, Geschenck von v. Tiele-Winckler auf Blücher.

Dog pound will sooner or later have to give way to a comprehensive facility for all canine animals (including wolves, jackals, foxes, hyenas). The non-European breeds are of particular interest and particularly appropriate in the zoological garden: Tibetan dog, Japanese Chin (gift from Rer & Co.), Chinese Spitz, Tuareg dog, German East African dog, Togo dog, Papuan dog from German New Guinea ; South Russian Shepherd Poodle, gift from Friedrich Falz-Fein; Livonian Hound, gift from von Tiele-Winckler auf Blücher.

1905

Hundezwinger wird früher oder später einer umfassenden Anlage für alle hundeartigen Tiere (auch Wolfe, Schakals, Fuchse, Hyanen) meichen mussen. Von besonderen Interesse und im zoologischen Garten besonders am Platze find die aussereuropaischen Rassen: Tibethund, Japanischer Tschin (Geschenk von Rer & Co.), deutschostafrikaner Hund, Togohund, Papuahund aus Deutssch-Neu-Guinea; sudrussischer Schaferpudel, Geschenk von Friedrich Falz-Fein; Livlander Bracke, (Geschenck von v. Tiele-Winckler auf Blücher).

Ein prachtvolles Paar edler preisgekronter Neufundlander mit Stammbaum ist Geschenk von Frau Manthen-Berlin. Eine gestromte deutsche Dogge von Rube, eine weisse Hundin mit blauen Augen, an der die Naturregal zu beobachten ist, dass weisse Hunde mit blauen Augen taub find, von Sylvester Schaffer. Eine halbblutwolf, Geschenk des Grafen Schuwaloff, hat mit einer Doggenhundin Mischlinge gezeugt, die zum Teil noch ausgepracht das Scheue, unstete Wessen des Wolfes haben. Ein Paar schwarzweisse Schlittenhunde von den Samojeden hat das Reichsamt das Innern auf Unregung von Prof. Drygalsky nach Ruckfahrt der deutschen Sudpolarexpedition uns als Geschenk uberwiesen

Dog pound will sooner or later have to give way to a comprehensive facility for all canine animals (including wolves, jackals, foxes, hyenas). The non-European breeds are of particular interest and particularly appropriate in the zoological garden: Tibetan dog, Japanese Chin (gift from Rer & Co.), German East African dog, Togo dog, Papuan dog from German New Guinea ; South Russian Shepherd Poodle, gift from Friedrich Falz-Fein; Livonian Hound, (gift from von Tiele-Winckler auf Blücher).

A magnificent pair of noble prize-winning Newfoundlanders with pedigree is a gift from Mrs. Manthen-Berlin. A brindle Great Dane from Rube, a white female with blue eyes, which shows the natural rule that white dogs with blue eyes are deaf, from Sylvester Schaffer. A half-blood wolf, a gift from Count Schuwaloff, has fathered hybrids with a mastiff dog, some of which still have the shy, unstable nature of the wolf. A pair of black-and-white sled dogs from the Samoyed were given to us as a gift by the Reich Office of the Interior at the suggestion of Prof. Drygalsky after the German South Pole Expedition had returned


1906

Hundezwinger wird früher oder später einer umfassenden Anlage für alle hundeartigen Tiere (auch Wolfe, Schakals, Fuchse, Hyanen) meichen mussen. Von besonderen Interesse und im zoologischen Garten besonders am Platze find die aussereuropaischen Rassen: Tibethund, Kamerun-Hund, Geschenk von Ussessor Steinhausen, Hunde vom Kongo, Geschenk von L. Frobenius, deutsch-ostafrikaner Hund, Geschenk von Deivers, Togohund, Geschenk von Stationsleiter Mischlich, sudrussischer Schaferpudel, Geschenk von Friedrich Falz-Fein; Livlander Bracke, (Geschenck von v. Tiele-Winckler auf Blücher).

Ein prachtvolles Paar edler preisgekronter Neufundlander mit Stammbaum ist Geschenk von Frau Manthey-Berlin. Eine gestromte deutsche Dogge von Rube, eine weisse Hundin mit blauen Augen, an der die Naturregal zu beobachten ist, dass weisse Hunde mit blauen Augen taub find, von Sylvester Schaffer. Eine halbblutwolf, Geschenk des Grafen Schuwaloff, hat mit einer Doggenhundin Mischlinge gezeugt, die zum Teil noch ausgepracht das Scheue, unstete Wessen des Wolfes haben. Ein Paar schwarzweisse Schlittenhunde von den Samojeden hat das Reichsamt des Innern auf Unregung von Prof. Drygalsky nach Ruckfahrt der deutschen Sudpolarexpedition uns als Geschenk uberwiesen, ferner ist ein Dingo (Canis dingo), der australische Wildhund, ein Geschenk des Herrn Clotten, (????) Nord-Queensland hier untergebracht, sowie ein Paar der weissen Art des Dingo, geschenk von Dr Hartmayer, Berlin.

Dog pound will sooner or later have to give way to a comprehensive facility for all canine animals (including wolves, jackals, foxes, hyenas). The non-European breeds are of particular interest and have a place in the zoological garden: Tibetan dog, Cameroon dog, gift from Ussessor Steinhausen, dogs from the Congo, gift from L. Frobenius, German-East African dog, gift from Deivers, Togo dog, gift from station manager Mixed, South Russian Shepherd Poodle, gift from Friedrich Falz-Fein; Livlander Hound, (gift from v. Tiele-Winckler on Blücher).

A magnificent pair of noble prize-winning Newfoundlanders with pedigree is a gift from Mrs. Manthey-Berlin. A brindle Great Dane by Rube, a white female with blue eyes, which shows the natural rule that white dogs with blue eyes are deaf, by Sylvester Schaffer. A half-blood wolf, a gift from Count Schuwaloff, has fathered hybrids with a mastiff dog, some of which still have the shy, unstable nature of the wolf. A pair of black-and-white sled dogs from the Samoyed were given to us as a gift by the Reich Office of the Interior at the instability of Prof. Drygalsky after the German south polar expedition had returned, and a dingo (Canis dingo), the Australian wild dog, was a gift from Mr. Clotten (?? ??) North Queensland housed here, as well as a pair of the white species of dingo, a gift from Dr Hartmayer, Berlin.


I strongly suspect the above will interest @TinoPup a lot, given her field of expertise!

Also a question about the map: do you know why the Elefantenhaus has seven paddocks? That seems like a lot for that time period given there were only 2 or 3 species then.

Because at that time zoo had both species of African elephant, Indian Elephant, Indian rhino, Black rhino, Malayan tapir and Lowland tapir.

Yep, Arek got this one spot on - the Elephant House held a somewhat wider range of species than the name would imply!
 
Given the ornate typeface within the guidebook, and the aforementioned difficulty it presents in my interpreting the text, the following took a *very* long time to translate :p given the fact I had to work out what it said in German before being able to translate it through a mixture of my own faltering grasp on the language and Google. I have translated the text from all three guidebooks; the basic summary is that this area was planned to hold exotic species of canid, but at the time of publication primarily held a range of unusual domestic breeds.

1903

Hundezwinger wird früher oder später einer umfassenden Anlage für alle hundeartigen Tiere (auch Wolfe, Schakals, Fuchse, Hyanen) meichen mussen. Von besonderen Interesse und im zoologischen Garten besonders am Platze find die aussereuropaischen Rassen: Tibethund, Japanischer Tschin (Geschenk von Rer & Co.), Chinesicher Spitz, Tuareghund, deutsschostafrikaner Hund, Togohund, Papuahund aus Deutssch-Neu-Guinea; sudrussischer Schaferpudel, Geschenk von Friedrich Falz-Fein; Livlander Bracke, Geschenck von v. Tiele-Winckler auf Blücher.

Dog pound will sooner or later have to give way to a comprehensive facility for all canine animals (including wolves, jackals, foxes, hyenas). The non-European breeds are of particular interest and particularly appropriate in the zoological garden: Tibetan dog, Japanese Chin (gift from Rer & Co.), Chinese Spitz, Tuareg dog, German East African dog, Togo dog, Papuan dog from German New Guinea ; South Russian Shepherd Poodle, gift from Friedrich Falz-Fein; Livonian Hound, gift from von Tiele-Winckler auf Blücher.

1905

Hundezwinger wird früher oder später einer umfassenden Anlage für alle hundeartigen Tiere (auch Wolfe, Schakals, Fuchse, Hyanen) meichen mussen. Von besonderen Interesse und im zoologischen Garten besonders am Platze find die aussereuropaischen Rassen: Tibethund, Japanischer Tschin (Geschenk von Rer & Co.), deutschostafrikaner Hund, Togohund, Papuahund aus Deutssch-Neu-Guinea; sudrussischer Schaferpudel, Geschenk von Friedrich Falz-Fein; Livlander Bracke, (Geschenck von v. Tiele-Winckler auf Blücher).

Ein prachtvolles Paar edler preisgekronter Neufundlander mit Stammbaum ist Geschenk von Frau Manthen-Berlin. Eine gestromte deutsche Dogge von Rube, eine weisse Hundin mit blauen Augen, an der die Naturregal zu beobachten ist, dass weisse Hunde mit blauen Augen taub find, von Sylvester Schaffer. Eine halbblutwolf, Geschenk des Grafen Schuwaloff, hat mit einer Doggenhundin Mischlinge gezeugt, die zum Teil noch ausgepracht das Scheue, unstete Wessen des Wolfes haben. Ein Paar schwarzweisse Schlittenhunde von den Samojeden hat das Reichsamt das Innern auf Unregung von Prof. Drygalsky nach Ruckfahrt der deutschen Sudpolarexpedition uns als Geschenk uberwiesen

Dog pound will sooner or later have to give way to a comprehensive facility for all canine animals (including wolves, jackals, foxes, hyenas). The non-European breeds are of particular interest and particularly appropriate in the zoological garden: Tibetan dog, Japanese Chin (gift from Rer & Co.), German East African dog, Togo dog, Papuan dog from German New Guinea ; South Russian Shepherd Poodle, gift from Friedrich Falz-Fein; Livonian Hound, (gift from von Tiele-Winckler auf Blücher).

A magnificent pair of noble prize-winning Newfoundlanders with pedigree is a gift from Mrs. Manthen-Berlin. A brindle Great Dane from Rube, a white female with blue eyes, which shows the natural rule that white dogs with blue eyes are deaf, from Sylvester Schaffer. A half-blood wolf, a gift from Count Schuwaloff, has fathered hybrids with a mastiff dog, some of which still have the shy, unstable nature of the wolf. A pair of black-and-white sled dogs from the Samoyed were given to us as a gift by the Reich Office of the Interior at the suggestion of Prof. Drygalsky after the German South Pole Expedition had returned


1906

Hundezwinger wird früher oder später einer umfassenden Anlage für alle hundeartigen Tiere (auch Wolfe, Schakals, Fuchse, Hyanen) meichen mussen. Von besonderen Interesse und im zoologischen Garten besonders am Platze find die aussereuropaischen Rassen: Tibethund, Kamerun-Hund, Geschenk von Ussessor Steinhausen, Hunde vom Kongo, Geschenk von L. Frobenius, deutsch-ostafrikaner Hund, Geschenk von Deivers, Togohund, Geschenk von Stationsleiter Mischlich, sudrussischer Schaferpudel, Geschenk von Friedrich Falz-Fein; Livlander Bracke, (Geschenck von v. Tiele-Winckler auf Blücher).

Ein prachtvolles Paar edler preisgekronter Neufundlander mit Stammbaum ist Geschenk von Frau Manthey-Berlin. Eine gestromte deutsche Dogge von Rube, eine weisse Hundin mit blauen Augen, an der die Naturregal zu beobachten ist, dass weisse Hunde mit blauen Augen taub find, von Sylvester Schaffer. Eine halbblutwolf, Geschenk des Grafen Schuwaloff, hat mit einer Doggenhundin Mischlinge gezeugt, die zum Teil noch ausgepracht das Scheue, unstete Wessen des Wolfes haben. Ein Paar schwarzweisse Schlittenhunde von den Samojeden hat das Reichsamt des Innern auf Unregung von Prof. Drygalsky nach Ruckfahrt der deutschen Sudpolarexpedition uns als Geschenk uberwiesen, ferner ist ein Dingo (Canis dingo), der australische Wildhund, ein Geschenk des Herrn Clotten, (????) Nord-Queensland hier untergebracht, sowie ein Paar der weissen Art des Dingo, geschenk von Dr Hartmayer, Berlin.

Dog pound will sooner or later have to give way to a comprehensive facility for all canine animals (including wolves, jackals, foxes, hyenas). The non-European breeds are of particular interest and have a place in the zoological garden: Tibetan dog, Cameroon dog, gift from Ussessor Steinhausen, dogs from the Congo, gift from L. Frobenius, German-East African dog, gift from Deivers, Togo dog, gift from station manager Mixed, South Russian Shepherd Poodle, gift from Friedrich Falz-Fein; Livlander Hound, (gift from v. Tiele-Winckler on Blücher).

A magnificent pair of noble prize-winning Newfoundlanders with pedigree is a gift from Mrs. Manthey-Berlin. A brindle Great Dane by Rube, a white female with blue eyes, which shows the natural rule that white dogs with blue eyes are deaf, by Sylvester Schaffer. A half-blood wolf, a gift from Count Schuwaloff, has fathered hybrids with a mastiff dog, some of which still have the shy, unstable nature of the wolf. A pair of black-and-white sled dogs from the Samoyed were given to us as a gift by the Reich Office of the Interior at the instability of Prof. Drygalsky after the German south polar expedition had returned, and a dingo (Canis dingo), the Australian wild dog,


Yep, Arek got this one spot on - the Elephant House held a somewhat wider range of species than the name would imply!

Thanks for going through the work of translating that. It does seem like it was an exhibition of breeds, then; makes sense given the likelihood that exotic breeds from other continents and regions were not as easy to acquire back then, as well as (I'm supposing) a much lower proportion of urban dwellers keeping dogs in the home.

I figured the Elefantenhaus might have been a catch-all building for the pachyderms, but wanted to confirm if that was the case. Thanks @Arek!
 
As a further little comparison, I thought it would be quite fun to present all five Zoo Berlin maps which have been discussed within this thread thus far; this will allow the development of the collection between 1899 ad 1906 to be more readily-visible and hopefully prompt further discussion! It goes without saying, of course, that the comparison between 1899 and 1906 will be the most rewarding.

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Day 63: Dallas World Aquarium (2008) – Field Guide: View from shark tunnel

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Page count: 15 pages (including rear cover)
Photographs: c.200 colour photographs

Illustrations/diagrams: N/A
Layout: Introduction to collection and information on feeding times and talks, followed by comprehensive walkthrough account supplemented by maps and photographs, concluding with information on on-site restaurants, conservation programmes and general information for visitors.
Map: Six detailed maps showing each section of the aquarium.


A fairly unusual guide book this time round, from the Dallas World Aquarium; a North American collection which is among the most-discussed and on occasion controversial where this forum is concerned. I obtained this item from @sooty mangabey as part of a guidebook exchange a few years ago; at the present time it is the only guidebook I own from the collection in question.
In many ways, as I shall relate, this guidebook represents more a pictorial walkthrough account of the zoological collection to which it pertains, rather than a more text-based guidebook of the sort we have primarily discussed thus far in this thread. This has both advantages and drawbacks, but certainly renders this one of the more unique guide books in my collection.


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The general format of this guidebook more or less represents a series of double page spreads, supplemented by a small number of single-page sections relating to other subjects; each of the double-page spreads depicts a colour floor-plan for a specific portion of the World Aquarium, surrounded by a large number of labelled colour photographs depicting the various species that could be seen within the area in question, and with a small number of supplementary text-boxes providing labels and annotations for the map itself. The supplementary single-page spreads are as follows; the above timetable of animal feeds and talks within the World Aquarium, located towards the start of the guidebook; a section presenting the food menus available at the three restaurants and cafes located within the collection at the time of publication; a section briefly discussing conservation, and the various external organisations with which the Dallas World Aquarium works; and on the rear cover of the guidebook, a selection of general information for visitors.

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Given the somewhat awkward size of this guidebook, it has been impossible for me to scan any double-page segments in their entirety; as such I have elected to scan merely the maps within each section, attempting to retain sufficient of the surrounding images and captions to give a general "feel" of the whole. Moreover, I have taken a photograph with my digital camera of one double-page section, to show the overall layout and design utilised throughout this guidebook. The first map, as can be seen above, is located within the interior front page of the guidebook, depicting the main entrance to the collection alongside information on how to access the various main sections of the World Aquarium, and a handful of images labelling the first exhibits which the visitor to the collection would have encountered at the time of publication. Beyond here, the first double-page segment shows a floorplan for the "canopy" level of the Orinoco Rainforest exhibit, with the various sub-sections within this area each labelled on the map and represented by various colour photographs on the surrounding pages. One strongly suspects you that the species listed within these various photographs is by no means a comprehensive overview; it is, however, interesting to note the fact that the photographs for each sub-section is carefully colour-coded to ease cross-reference with the central map, and that species which were free-flying are specifically highlighted.

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The next double-page spread discuss the "understory" level of the Orinoco Rainforest; again, this section is very well illustrated by colour photographs and accompanying informational labels, alongside the detailed and high quality map itself.

Beyond here, the guidebook moves onto the "aquatic" level of the Orinoco Rainforest, alongside the Aquarium, Madagascar and Cape of Good Hope exhibits present on the same floor of the building at the time of publication; given the fact that this double-page spread is one of the more text-heavy and contains a large amount of supplementary information about the various exhibits within this area, whilst still following the same general layout as the guidebook as a whole, I feel this is perhaps the best segment to depict in its entirety. As such, per my above remarks, this is the section which I have elected to take a digital photograph of, in order to present the entirety of the double-page spread rather than merely the central map and adjacent images/captions.

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the final two double page spreads depict the lower and upper level of the Mundo Maya exhibit; as the name would suggest, whilst the preceding exhibits pertain to South American fauna and flora, these sections contain a variety of Mexican and Central American species. The second section in particular is perhaps the most image heavy double-page spread within the guidebook as a whole, with a vast number of attractive and unusual species presented here; it is interesting to note, for instance, that the number of hummingbird species presented in this section alone outnumbers those found within European collections as a whole!

Beyond here, the guidebook closes with the aforementioned sections relating to dining at the World Aquarium, conservation and visitor information.

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As noted, this is a very attractive and well-presented guidebook; the maps are well designed and easy-to-interpret, and the choice to present the supplementary photographs against an entirely black backdrop helps to bring out the wide range of colour within these photographs, helping them to catch the eye even better than they otherwise would have. Although the guidebook is relatively light on text overall, what *is* present reaches a fairly good standard; every single species present within a photograph is labelled, and the paragraphs of explanatory information scattered occasionally throughout the main body of the guidebook are detailed and informative. One of the main drawbacks of this presentation style is that this information can sometimes be a little swamped by the chaotic layout; for all intensive purposes the images and text are effectively nothing more than particularly-detailed labels for the various maps located within this guidebook, and despite the aforementioned quality of what is present, I feel that it may have been beneficial to the whole had the guidebook extended across a little more space and allowed room for more stand-alone information and text. However, this is really only a minor quibble; whether this is a guidebook to the Dallas World Aquarium, or a particularly in-depth series of walkthrough maps to the collection, it is a very enjoyable item to read, both on the grounds of visual aesthetics and information presented.
 
As noted, this is a very attractive and well-presented guidebook; the maps are well designed and easy-to-interpret, and the choice to present the supplementary photographs against an entirely black backdrop helps to bring out the wide range of colour within these photographs, helping them to catch the eye even better than they otherwise would have. Although the guidebook is relatively light on text overall, what *is* present reaches a fairly good standard; every single species present within a photograph is labelled, and the paragraphs of explanatory information scattered occasionally throughout the main body of the guidebook are detailed and informative. One of the main drawbacks of this presentation style is that this information can sometimes be a little swamped by the chaotic layout; for all intensive purposes the images and text are effectively nothing more than particularly-detailed labels for the various maps located within this guidebook, and despite the aforementioned quality of what is present, I feel that it may have been beneficial to the whole had the guidebook extended across a little more space and allowed room for more stand-alone information and text. However, this is really only a minor quibble; whether this is a guidebook to the Dallas World Aquarium, or a particularly in-depth series of walkthrough maps to the collection, it is a very enjoyable item to read, both on the grounds of visual aesthetics and information presented.

Ha! You'd think, wouldn't you? On my visit in 2018, they were still using the same guide (it's around here somewhere...) and it was so confusing. The maps can be decent guides for each section, but they don't show how the sections connect *together*, and there's often multiple entry/exits to each area. My friend and I split up at one point and we both got a bit lost, and she's gotten lost on subsequent visits, too.

The lack of updates to the guide, even though it's a small one and easy to reprint, means there's species that they no longer have, as well.
 
The maps can be decent guides for each section, but they don't show how the sections connect *together*

Yeah, I definitely forgot to mention this is one of the other big drawbacks when associating one section to another :P noticed that one even without knowing the collection!

The lack of updates to the guide, even though it's a small one and easy to reprint, means there's species that they no longer have, as well.

Worse, I suspect that they *do* update the guide but just don't do a very good job of it - the ongoing thread elsewhere on the forum devoted to giving a walkthrough account of the place using the 2018 guidebook, shows that said edition *is* different, as a lot of the supplementary photographs differ.... so if it is completely out of date, it was out-of-date when printed!
 
One strongly suspects you that the species listed within these various photographs is by no means a comprehensive overview

That's putting it mildly :p unless they've got a checklist somewhere in there, I'm sure the species highlighted were just a fraction of the collection at the time - as they continue to be now.

it is interesting to note, for instance, that the number of hummingbird species presented in this section alone outnumbers those found within European collections as a whole!

That is interesting... if memory serves me they *do* still have hummingbirds, though I'm not sure what species.
 
Day 64: National Zoological Park at the Smithsonian (2021) - Giant Panda cub

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Page count: 32 pages
Photographs: c.60 colour photographs
Illustrations/diagrams: c.20 small symbolic animal images and children's puzzles
Layout: Introduction to collection and conservation work, followed by visitor information, general overview of the various areas within the collection, promotion of shops, cafes and memberships, and a variety of children's activities and puzzles.
Map: Fold-out map located within rear cover.


Quite a nice oddity this time round, and the first guidebook to be discussed within this thread which was donated to my collection for the specific purpose of review; on a recent visit to the National Zoo, @TinoPup and @Coelacanth18 were surprised to discover that the collection still sold guidebooks, perhaps being the final major zoological collection in the USA to do so other than the pair in San Diego. As such, they very kindly purchased an extra copy of the guidebook to supplement my collection, which arrived safe and sound a week or so ago.

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The guidebook opens, as can be seen above, with a short discussion relating to the history of the National Zoo, the conservation work which the collection - and the Smithsonian Conservation Biology Institute - has been involved with both in-situ and ex-situ, highlighting particular species which the organisation has worked with, and the wider educational aims of the Smithsonian in this regard. As I have discussed several times in the past, this is precisely the sort of information which I feel that modern-day zoo guidebooks should contain, both giving an insight into where a collection has come from and where it is aiming towards, and putting forth a strong argument for the continued importance of zoological collections in the present day. Beyond here, a short section relays a variety of important information for visitors, including the location of various services and facilities, emergency contact information, and precautions in place regarding COVID-19; the lattermost of these points is very much a reflection of the fact that this is the one of the first guidebooks in my collection to have been published during the pandemic. At the present time, I can think of only one other item in my collection to make reference to COVID-19, this being the most recent publication from Weltvogelpark Walsrode.

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The main body of the guidebook comprises a general overview and discussion of the various exhibit complexes found within the collection itself; barring a double-page spread devoted to the giant panda exhibit complex, the majority of the exhibits and displays within the National Zoo are each discussed within a single page. Where the aforementioned giant panda exhibit complex is concerned, the extra page is devoted - as can be seen above - to a more in-depth discussion of the three pandas located within the exhibit at the time of publication, with photographs and identifying features provided for each individual along with other assorted items of information relating to the animals in question. Overall, these exhibit accounts are rather informative and very well-illustrated with a variety of colour photographs; each page lists a variety of the taxa present, alongside a handful of sentences describing the role of the exhibit within the larger collection, related conservation work which the Smithsonian has been involved in, and the various features, activities, and visitor amenities located in-and-around the exhibit complexes in question. As such, despite the apparent brevity and simplicity of each individual exhibit discussion, they are remarkably detailed and informative, providing a wide range of information in a short space.

Beyond here, the remainder of the guidebook covers a variety of subjects; a section relaying various items of information relating to the day-to-day work of the keeping staff at the National Zoo; discussion of the various activities, restaurants, shops and cafes available within the collection as a whole; the various ways in which visitors to the collection can support the work of the National Zoo and the Biology Institute both in-situ and ex-situ, such as memberships, donations and volunteer work; and a small number of children's activities and puzzles. This portion of the guidebook also contains a handful of pull-out vouchers for use in and around the collection; for obvious reasons I have retained these within my copy, given the fact that they have no use to me barring the aesthetic benefit that the colour photographs located on the reverse of the vouchers brings to the guidebook as a whole!

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The guidebook concludes with a highly-attractive fold-out map of the collection, located within the interior rear cover; this is not only rather pleasing to view on an aesthetic level, but also easy to interpret. The map itself is very well-designed and presented, with good use of colour coding, animal symbols and numbered labels conveying a large amount of information; the symbols employed on the map are quite attractive and aesthetically-pleasing in and of themselves, and correspond to symbols used as labels within the main body of the guidebook. Furthermore, this map is supplemented by an accompanying animal index; this lists (in fairly broad terms) the majority of the species mentioned within the main body of the text, with page references and colour-coding being employed to allow easy referencing between this index, the exhibit accounts, and the collection map.

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Overall, this is a very high-quality guidebook both on the grounds of informational content, aesthetics, and production quality which - although relatively brief and simply-presented - achieves all of the major objectives which one would hope for from a modern-day guidebook; it relays a large amount of information about the collection to which it pertains, along with the conservation work undertaken by said collection, and does so in an easily-accessible and appealing format. As noted in the introduction to this review, it was quite surprising to learn that a North American zoological collection outside of San Diego were still producing guidebooks, given the received wisdom that this is a phenomenon which has more-or-less ceased within the continent, and no longer holds any appeal or value. The existence of this guidebook - and the overall quality which can be found within - entirely and unequivocally belies this latter assumption; I very much hope that the recent publication of this guidebook by the National Zoo proves successful enough that this is not an isolated case.... and, dare I hope, that further zoological collections in North America may take this as an inspiration to resume their long tradition of zoo guidebook publication.
 
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I would have gotten it for you even without this thread :P I do think they should have included some sort of blurb about the forthcoming bird space, they could have found enough info to fit it in without giving away anything and reducing the need to make a new edition once it opens.

There's several places still doing guidebooks over here! None are the nice glossy ones of old, though. I have one for ripley's aquarium of the smokies (that Kevin helpfully chewed on), VALM has a nice book that is less guidebook and more guide to the place as a whole, VA Safari has a multi-page booklet now.
 
Day 65: Trentham Monkey Forest (2016) - Young Barbary Macaque

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Page count: 18 pages (including interior front and rear covers)
Photographs: c.32 colour photographs
Illustrations/diagrams: N/A
Layout: Introduction to collection, followed by discussion of Barbary Macaque taxonomy and anatomy, behaviour, captive and wild status, conservation and reintroduction programmes, and general information on activities of collection.
Map: Located within central pages


Today, we once again encounter the intriguing question of precisely how one defines a zoo Guidebook; whilst elsewhere in this thread, the question has hinged on the definition of a guidebook, the pivotal element here is the precise definition of a zoological collection. To wit; can a collection which holds a single exotic species truly be defined as a zoo? Trentham Monkey Forest is located within 60 acres of woodland in rural Staffordshire, part of the wider Trentham estate, and comprises one of four sister collections across Western Europe which follow a very simple concept; the display of free-roaming breeding groups of Barbary Macaque within large expanses of forest or woodland. The first, and perhaps most famous, of these collections is La Montagne des Singes in northeast France, with all four collections having been involved in the captive breeding and reintroduction into the Mahgreb of Barbary Macaque.

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Personally, I would tend to argue that - although certainly a very specialised form of zoological collection - Trentham Monkey Forest and its siblings do indeed qualify as such; given the fact that this item is most certainly a guidebook, and a rather good one at that, it is correspondingly the case that it is subject for discussion within this thread as a zoo guidebook. The main body of the text opens with a succinct but informative introduction to the collection, its history and the history of its continental siblings, and something of the aims and objectives held by the collection; as can be seen above, the guidebook is laid out in a rather attractive and well-illustrated manner, with copious use of colour photographs throughout.

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Beyond here, the guidebook can be more or less divided into three sections; the first of these comprises a series of double-page spreads providing a wide range of information about the Barbary Macaque, including a general overview of the key facts relating to the species, discussion of their breeding, behaviour, diet and intra-species communication, and how each of these features can be observed within the Monkey Forest in very much the same form that they take within the natural wild habitat of Morocco and Algeria. Each of these sections present a rather good balance of large colour photographs, smaller inset images, short text boxes containing key facts and trivia, and longer-form prose discussion, with the overall effect being a very interesting and aesthetically pleasing guidebook which is both accessible to a younger or less-specialised audience whilst still conveying a great deal of information in a relatively brief space.

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These discussions are followed by a handful of double-page spreads discussing the various threats which face the Barbary Macaque within their wild habitat, the fact that the species is now listed as endangered by the iucn, and the ongoing conservation work which Trentham Monkey Forest and it's sibling collections have been undertaking both ex-situ (through the captive breeding of the species, and the education of the public about the various conservation factors involved) and in-situ (through reintroduction into the wild of animals bred at the various collections, and direct involvement and co-operation with conservation organisations working within the native habitat). These sections are of equally high-quality to the preceding passages within the guidebook, again conveying key information in a succinct, interesting, and aesthetically-pleasing manner.

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The guidebook closes with brief segments on the behavioural research work relating to the Barbary Macaque groups at Trentham Monkey Forest which university students and academics from around the world have undertaken over the years, and discussion of some of the other highlights visible within the larger Trentham Estate. It is here worth mentioning the fact that the central pages of the guidebook contain an aerial photographic map of the Monkey Forest, annotated to show the main feeding areas for the macaques resident within the collection, the visitor footpath around the forest, and the various amenities (including a playground, gift shop and cafe) located at the entrance to the collection. This is well-presented, albeit possibly slightly less appealing to the eye in layout and style than the main body of the guidebook; the combination of an aerial photograph image of the collection being used as a map, and the illustrated annotations which have been laid on top of this photograph, somehow seems to feel "wrong" in some fashion I cannot quite put into words.

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To summarise; bearing in mind the fact that this is a highly-specialist collection, and perhaps one which does not immediately spring to mind when one considers the zoological collections of the United Kingdom, I feel that this is actually one of the *best* guidebooks published by a UK collection within the last decade. It conveys a large amount of information in a relatively-brief amount of text, and does so in an easily-accessible and appealing fashion which avoids the common pitfalls of "dumbing down" or aiming for the lowest denominator, supplemented by a wide range of colourful and attractive imagery. Furthermore, despite how brief this guidebook is, it nonetheless still manages to include key information on the history of Trentham Monkey Forest, the importance of conservation work within a modern zoo, and the ongoing aims of the collection; all of which are points which (as I have noted in the past) a good zoo guidebook should always endeavour to include.
 
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Today, we once again encounter the intriguing question of precisely how one defines a zoo Guidebook; whilst elsewhere in this thread, the question has hinged on the definition of a guidebook, the pivotal element here is the precise definition of a zoological collection. To wit; can a collection which holds a single exotic species truly be defined as a zoo?
This is a question that comes up quite a bit on this group, and my answer is yes. For the purposes of discussion about zoos, my definition is "a premises holding wild animals which is open to the public on a regular basis so they can view the animals for their recreation and education".

As for the number of species, why would two species be acceptable if not one? And if two is not acceptable what number is? if you say 10 species I would say why not nine, and so on. (And yes, I know in some countries there is a legal definition but this is for discussion and debate not the courts).

For people who would say that is not acceptable then I would say they would have to accept my second, more technical and historical definition: "a collection of animals kept in gardens in the manner of the Royal Zoological Society gardens in London". I think that might exclude more than it would include.
 
Day 66: Glasgow Zoo (c.1948) - Lion and Cubs

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Page count: 40 pages (including several pages of advertisements at the back)
Photographs: c.30 black-and-white photographs
Illustrations/diagrams: N/A
Layout: Introduction to collection, discussing history of the Zoological Society of Glasgow and West Scotland and plans for future, followed by visitor information and discussion of various species held within the collection at the time of publication.
Map: Two maps; map of collection located towards opening of guidebook; map showing location of Glasgow Zoo and surrounding environs on inner rear cover.


Today, I have elected to depart from my usual random-selection of guide books in order to highlight a recently-obtained oddity which presented a rather satisfying mystery to solve; a few weeks ago, I stumbled across a guidebook for Glasgow Zoo on eBay which did not seem to match any mentioned on the master-list of British guide books maintained and updated by the Bartlett Society. Given the fact that this rather suggested that the guidebook in question was somewhat scarce, the lack of any date or provenance on the listing, and my interest in tracking down information pertaining to closed zoological collections, I thought that this was well worth attempting to secure. In the end, I was able to purchase this guidebook for rather less than I expected would be the case; despite some casual competition, the listing did not attract the bidding war that rarities of this sort often incite!

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Once the guidebook eventually arrived in the post, I was struck by how fragile and delicate it was; the staples were heavily rusted, and the cover has come away from the main body of the guidebook, all potential indicators of substantial age. Given the fragility of the guidebook, I very carefully started to read through it in the hope of finding any clues relating to when precisely it had been published. Naturally, the first thing that I looked for was any copyright or printing date; unfortunately, although the name and address of the printers who produced this guidebook on behalf of the zoo was indeed located on the title page, no date was visible. However, the title page did provide me with my first major clues; to wit, it stated that the director at the time of publication was S. H. Benson, and a full map of the collection was located opposite. Another potential clue was discovered beyond the introduction to the guide book; after an account of the history of the Glasgow and West Scotland Zoological Society and the construction of the zoo (of which more later), a short section discussed the very recent construction of a tropical house, implicitly the first such structure at the zoo given the statement that the collection was "now in the position to accommodate certain birds and animals which [they] could not keep before". Finally, a section towards the end of the guidebook discussing membership of the zoological society cited all prices in pre-decimalisation currency; this conclusively demonstrated that the guidebook could not have been published any more recently than 1971, when the United Kingdom adopted decimal currency.

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Having assembled all of these potential items of evidence along with several scans and photographs from the guidebook, and knowing that my own knowledge of the history of Glasgow Zoo was negligible, I posted my findings on a variety of zoo-related Facebook groups; given the fact that I knew that these groups were frequented by individuals with a keen knowledge of zoo history, and in some cases retired keepers from Glasgow Zoo itself, my hope was that this might cast some light on the issue at hand. I was rather rapidly informed that the collection map provided within this guidebook appeared to depict a Glasgow Zoo which long-predated the career of the retired keepers in question, and that the telephone number and Director cited on the title page also indicated substantial age. Two other significant points were made by members of our own community; @robmv noted that S. H. Benson served as director of Glasgow Zoo from 1947 to 1966, and that therefore the guidebook could not have been published any more recently than the latter date; having spotted an advertisement for Skerry's College on the above scan of the membership page, @Maguari pointed out that it stated the college had 70 years of experience, pinning the advertisement down to between 1948 and 1957. Having confirmed that the guidebook must therefore come from the first decade after Glasgow Zoo first opened, I started searching for any additional clues within which I may have overlooked. Inspiration struck when I realised that a list of the Officers and Council-members of the Zoological Society of Glasgow and west Scotland was located on the opening page of the Guidebook, prior to the title page and map; on researching the names mentioned within, I found that Sir Hector McNeill had retired as the Lord Provost of Glasgow in 1949 and that therefore this date represented the upper bound for when the guidebook was originally published.

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As previously noted, the guidebook opens with a brief introduction to Glasgow Zoo, discussing both the collection itself and zoos in general, before moving on to a detailed discussion of the formation of the Zoological Society of Glasgow and West Scotland in the 1930s and subsequent efforts by the Society to establish a zoo within the boundaries of the city, culminating in the opening of the collection in 1947. Given the scarcity of detailed information about Glasgow Zoo online, particularly where the earliest days of the collection are concerned, and the substantial detail which this section provides on these matters, I have elected to scan and upload the entirety of this historical discussion; this information will therefore be preserved as a valuable resource for zoo historians going forward.

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Beyond here, information is relayed about the future plans of the society for the expansion and development of the zoo; given what little I know of the collection, it is interesting to note that little of what is proposed ever came to pass as far as I am aware! This section is followed by various items of important visitor information, including details of public transport links to the zoo, parking facilities, opening hours, feeding times and the rules and regulations governing visitors.

The main body of the guidebook more or less comprises a range of black-and-white photographs and short passages of text describing various of the mammals and birds displayed at the collection at the time of publication; most of these are discussed at species level with full taxonomic names given, and conveying a surprising amount of information given the relatively brief nature of the text. However, it must be noted that in some cases, the level of precision and detail is rather lower - for instance, the text refers only to "Vultures" and "Amazon Parrots" rather than citing the specific taxa displayed within the collection, although in the former case the accompanying photograph tends to suggest that (at the very least) Eurasian Black Vulture was one of the species in question. It is also worth noting that although the standard of information provided is generally rather good, being remarkably undated, there are a few notable exceptions; the fact that the text lists lions, tigers and leopards within the genus Felis perhaps should have been a giveaway that I was dealing with a guidebook from the 1940s!

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The guidebook closes with several pages of advertisements relating to goods and services available in and around Glasgow at the time of publication, followed by a road-map showing the location of Glasgow Zoo in relation to the city centre. I have, of course, already mentioned the advertisement for Skerry's College, a chain of colleges primarily intended to prepare candidates for jobs in the Civil Service and provide career advice, of which one of the first sites was located in Glasgow. This section also contains advertisements for services as widely varied as coach trips, the Scottish Co-operative Wholesale Society, a number of hotels and restaurants, and even the infamous Irn-Bru; for anyone unfamiliar with the latter product, it is a garishly-orange carbonated soft drink which has been produced in Scotland since 1901. The advert within this guidebook must be one of the very first to carry the new name for the product, it having been re-branded from Iron-Brew in early 1948. On a side-note, it may amuse anyone reading this thread to learn that Irn-Bru was among the stereotypically-British food products which various members of this forum ensured that @ThylacineAlive encountered on his first visit to the UK in 2016, as @kiang and myself introduced him to the dubious wonders of the drink whilst we were at Highland Wildlife Park!

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This is, then, a rather interesting look at the very earliest days of a zoological collection which has fallen by the wayside; certainly it is a significantly more informative and high-quality item than the 1980s guidebook to Glasgow Zoo of which I have already written! Moreover, given the fragility and rarity of the guidebook - given the fact that the existence of this edition was unknown to the Bartlett Society and everyone I consulted via FB, this may well be one of the only extant copies - it has earned immediate status as one of the most precious and historically-important items in my collection.
 
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