Andrew Swales
Well-Known Member
Yes, that ethic was certainly present here too in the Victorian era,. Activities that stirred the emotions beyond the constraint you mention were frowned upon. NZP was designed by Frederick Law Olmsted, famed designer of Central Park and botanical gardens. The Chicago World's Fair of 1892 was designed with classical white buildings around a beautiful lake. Then city planners and the upper crust were horrified to discover that the Midway full of rides, amusements, exotic performers from all over the world, and a decidedly unruly atmosphere was far more popular than the pristine, manicured exhibits--lol even though the Midway had been intentionally located far, far back from the exhibits near the lakeside. This idea blossomed in Coney Island, the first real destination for middle and lower class people, where men and women might actually come into contact with one another or an ankle might be revealed when a skirt actually rose rn a ride. The upper crust had a cow at the immorality of it all, because passions certainly were aroused in ways museum paintings and chamber music did not. Although this was the beginning of cultural rough and tumble here, you have to remember that our country was still the Wild West in the 1800s, still and largely wild in its truest sense. So we have that semblance of history rattling in our bones too. Perhaps it's a subconscious rebellion of that that now everything must be so sterile and modern.
In situ--ya got me there.![]()
'Freak' shows for the masses were not restricted to the US. Coney Island had its exhibits of premature babies in incubators, which actually pioneered this branch of medicine; but human exhibits of 'savages' were hugely popular in Paris, the UK, Germany; attracting millions of orginary people - the 'Knut' and 'Brumas' of their day...
