A Guidebook Library: TLD's year-long randomised walkthrough of zoo guides

Any idea why this is?

One assumes an anti-zoo ethos at the top :p as even if one were to assume they pulp/recycle items they don't think they would be able to sell, I can't see why they would do so for zoo guidebooks and not for the rafts of tourist guidebooks and pamphlets for stately homes, museums, railways and so forth which I *have* seen sold in their charity shops!

The issue arose, incidentally, when I happened to ask whether a given store a) had any zoo guidebooks in their storerooms of unshelved donations and b) whether they would be willing to take my details so that I could purchase any zoo guidebooks donated to them directly.
 
I find very few zoo guide books among tourist guide books and pamphlets in charity shops. Surely managers of charity shops shouldn't put their own prejudices above that of making money for their charities. Would they destroy other items they didn't like, even though there could be potential buyers?
 
I find very few zoo guide books among tourist guide books and pamphlets in charity shops. Surely managers of charity shops shouldn't put their own prejudices above that of making money for their charities. Would they destroy other items they didn't like, even though there could be potential buyers?
I should imagine it is in the same vein as something like fur coats. An animal protection charity presumably wouldn't sell donated fur coats because to them it promotes the killing of animals, so they wouldn't sell zoo guide books because it promotes the imprisonment of animals. However you could easily continue that through to ridiculous scenarios, like they shouldn't sell egg-cups because it promotes battery farms.
 
One assumes an anti-zoo ethos at the top :p as even if one were to assume they pulp/recycle items they don't think they would be able to sell, I can't see why they would do so for zoo guidebooks and not for the rafts of tourist guidebooks and pamphlets for stately homes, museums, railways and so forth which I *have* seen sold in their charity shops!

The issue arose, incidentally, when I happened to ask whether a given store a) had any zoo guidebooks in their storerooms of unshelved donations and b) whether they would be willing to take my details so that I could purchase any zoo guidebooks donated to them directly.
I regularly check charity shops and very often blank also.

But it just makes it all the more exciting when you do find one, like treasure hunting!

I have never been as proactive to leave my details with shops.

Longleat Safari guide from the 80's for 50p was my most recent find.

My best find ever was a consecutive run of 5 London Zoo guides in an Oxfam in Islington (pound each) during a lunch break. Was an interesting conversation starter coming back to my meeting with a sandwich and stack of zoo guides!
 
Day 99: Suffolk Wildlife Park (1986) - Suffolk Wildlife Country Park and Miniature Steam Railway Kessingland

full


Page count: 18 pages (including interior front and rear covers)
Photographs: 14 photographs (all but one in colour)
Illustrations/diagrams: N/A
Layout: General introduction and visitor information, followed by general discussion of species held in collection and on-site miniature railway.
Map: Within central pages of guidebook.


A nice short one today; I shall get the proverbial elephant in the room dealt with first and note that I am entirely aware that technically-speaking the name of the collection to which this guidebook pertains is now "Africa Alive Zoological Reserve", but that my personal preference is to retain the older name for the collection. It must be said, of course, that the current name of the collection, adopted a few months ago, does at least have the merit of dropping the ridiculous exclamation mark which the prior official name of "Africa Alive!" insisted on carrying :P This particular guidebook is one of a small number of items within my collection which (despite having been obtained from different individuals, through different sources and at different times) demonstrate precisely the same form of damage, having been hole-punched to allow them to be stored within a ring-bound folder of some form; one wonders why anyone would think to do so, particularly at an angle which would prevent the pages from being turned whilst the guidebook was being stored within the folder!

full


The guidebook opens with a fairly-comprehensive assortment of visitor information, listing details such as opening times, available amenities, emergency contact information and key rules of admission, before moving into a brief introduction written by John L Wright, the director at the time of publication. This includes details of recent developments, the general background to the collection and some of the key attractions which visitors were urged to pay attention to - particularly the miniature railway located at the collection. Beyond here, the guidebook moves into a detailed walkthrough account of the collection and the species held within at the time of publication, more or less in the order that a visitor would encounter them as they made their way around the wildlife park. Most, but not all, of the species cited within the text are listed both with their common name and their scientific name, alongside assorted items of information about their wild habitat, behaviour, diet and close relatives. These species accounts are well-presented and formatted in an easy-to-interpret fashion, with the text accompanied by large colour photographs depicting some of the species discussed within.

The final double-page spread of the guidebook departs from this subject, comprising a general discussion of the miniature light railway which was located at Suffolk Wildlife Park at the time of publication; here, information is provided about the various locomotives operating on the railway, including their year of construction and location of origin, along with the operating hours of the railway. This section also discusses a model railway which was displayed within the station building itself. There seems, in my experience, to be a curiously wide area of overlap between zoo enthusiasts and train enthusiasts; as such, the fact that a relatively-large portion of the total length of this guidebook is devoted to the railway located at the collection is certainly worthy of note as a feature liable to increase its appeal to a more specialised audience. As can be seen below, this double-page spread also includes a short passage, accompanied by a black-and-white photograph, pertaining to the pair of Dingo which had recently arrived at the collection subsequent to the closure of Knaresborough Zoo in North Yorkshire; these animals are somewhat notable as the last representatives of this taxon to be displayed within the UK for nearly three decades until Hamerton Zoo imported a pair in 2019.

full


The map located within the central pages of this guidebook, although relatively simple in general design, is rather good in my opinion; certainly it is superior to many of the collection maps present within guidebooks published in the UK over the course of the 1970s and 1980s, which as I have bemoaned previously had a tendency towards garish colour, difficult-to-interpret design and insufficient labelling. This map is well-labelled, showing both the location of various exhibits and the surrounding landscape of the wildlife park in a clear and easily-understandable fashion, and is supplemented by attractive artwork depicting various of the species held within the collection surrounding the map itself.

full


Overall, then, this is a rather pleasant little guidebook; it is neither all that historically-significant nor does it go into great depths about the collection to which it pertains, past or present, but it nonetheless provides a fairly good impression of what Suffolk Wildlife Park was like at the time of publication and suitably performs the role of a guidebook to the collection. As always, any questions, feedback or remarks would be more than welcome - I imagine some reading this thread may even recall visiting the collection in question during this timespan, in which case they may have points of interest to contribute!
 
the pair of Dingo which had recently arrived at the collection subsequent to the closure of Knaresborough Zoo in North Yorkshire; these animals are somewhat notable as the last representatives of this taxon to be displayed within the UK for nearly three decades until Hamerton Zoo imported a pair in 2019.

The first Dingo I ever saw was one of these, in the early 90s (only remember seeing one, but not sure if there were two still at the time and I just missed one).

And I actually kind of prefer Africa Alive! to Africa Alive Zoological Reserve, which makes even less sense as a phrase. But yes, Suffolk Wildlife Park was better than either. :D
 
Day 99: Suffolk Wildlife Park (1986) - Suffolk Wildlife Country Park and Miniature Steam Railway Kessingland

full


Page count: 18 pages (including interior front and rear covers)
Photographs: 14 photographs (all but one in colour)
Illustrations/diagrams: N/A
Layout: General introduction and visitor information, followed by general discussion of species held in collection and on-site miniature railway.
Map: Within central pages of guidebook.


A nice short one today; I shall get the proverbial elephant in the room dealt with first and note that I am entirely aware that technically-speaking the name of the collection to which this guidebook pertains is now "Africa Alive Zoological Reserve", but that my personal preference is to retain the older name for the collection. It must be said, of course, that the current name of the collection, adopted a few months ago, does at least have the merit of dropping the ridiculous exclamation mark which the prior official name of "Africa Alive!" insisted on carrying :p This particular guidebook is one of a small number of items within my collection which (despite having been obtained from different individuals, through different sources and at different times) demonstrate precisely the same form of damage, having been hole-punched to allow them to be stored within a ring-bound folder of some form; one wonders why anyone would think to do so, particularly at an angle which would prevent the pages from being turned whilst the guidebook was being stored within the folder!

full


The guidebook opens with a fairly-comprehensive assortment of visitor information, listing details such as opening times, available amenities, emergency contact information and key rules of admission, before moving into a brief introduction written by John L Wright, the director at the time of publication. This includes details of recent developments, the general background to the collection and some of the key attractions which visitors were urged to pay attention to - particularly the miniature railway located at the collection. Beyond here, the guidebook moves into a detailed walkthrough account of the collection and the species held within at the time of publication, more or less in the order that a visitor would encounter them as they made their way around the wildlife park. Most, but not all, of the species cited within the text are listed both with their common name and their scientific name, alongside assorted items of information about their wild habitat, behaviour, diet and close relatives. These species accounts are well-presented and formatted in an easy-to-interpret fashion, with the text accompanied by large colour photographs depicting some of the species discussed within.

The final double-page spread of the guidebook departs from this subject, comprising a general discussion of the miniature light railway which was located at Suffolk Wildlife Park at the time of publication; here, information is provided about the various locomotives operating on the railway, including their year of construction and location of origin, along with the operating hours of the railway. This section also discusses a model railway which was displayed within the station building itself. There seems, in my experience, to be a curiously wide area of overlap between zoo enthusiasts and train enthusiasts; as such, the fact that a relatively-large portion of the total length of this guidebook is devoted to the railway located at the collection is certainly worthy of note as a feature liable to increase its appeal to a more specialised audience. As can be seen below, this double-page spread also includes a short passage, accompanied by a black-and-white photograph, pertaining to the pair of Dingo which had recently arrived at the collection subsequent to the closure of Knaresborough Zoo in North Yorkshire; these animals are somewhat notable as the last representatives of this taxon to be displayed within the UK for nearly three decades until Hamerton Zoo imported a pair in 2019.

full


The map located within the central pages of this guidebook, although relatively simple in general design, is rather good in my opinion; certainly it is superior to many of the collection maps present within guidebooks published in the UK over the course of the 1970s and 1980s, which as I have bemoaned previously had a tendency towards garish colour, difficult-to-interpret design and insufficient labelling. This map is well-labelled, showing both the location of various exhibits and the surrounding landscape of the wildlife park in a clear and easily-understandable fashion, and is supplemented by attractive artwork depicting various of the species held within the collection surrounding the map itself.

full


Overall, then, this is a rather pleasant little guidebook; it is neither all that historically-significant nor does it go into great depths about the collection to which it pertains, past or present, but it nonetheless provides a fairly good impression of what Suffolk Wildlife Park was like at the time of publication and suitably performs the role of a guidebook to the collection. As always, any questions, feedback or remarks would be more than welcome - I imagine some reading this thread may even recall visiting the collection in question during this timespan, in which case they may have points of interest to contribute!
Has this collection changed much since this guidebook was published? Has it become an African-species-only collection or did it just change its name for no reason?
 
Has this collection changed much since this guidebook was published? Has it become an African-species-only collection or did it just change its name for no reason?
It's mostly African species at the moment. There's a couple of non-African species still in the collection but I don't think these are breeding populations and won't be continued when those animals die.
 
The first Dingo I ever saw was one of these, in the early 90s (only remember seeing one, but not sure if there were two still at the time and I just missed one).

And I actually kind of prefer Africa Alive! to Africa Alive Zoological Reserve, which makes even less sense as a phrase. But yes, Suffolk Wildlife Park was better than either. :D
When Banham Zoo's owner bought Suffolk, a single elderly female Dingo was still there.
Her euthanasia was one of the first changes, as the park was practically re-built.
 
When Banham Zoo's owner bought Suffolk, a single elderly female Dingo was still there.
Her euthanasia was one of the first changes, as the park was practically re-built.

The visit remains quite vivid in my mind, in part because it's one of the earliest zoo visits I took my own photos at. Actually, it was probably one of the first times I would have been consciously thinking about which species were new for me. But I was young and the photos pre-digital of course, so I'm not sure of the exact date I was there. The other two species I remember being excited to see for the first time that day were Bontebok and Sitatunga - and I have photos of both - which means it must almost certainly have been in 1994 - Zootierliste has the Bontebok arriving at Suffolk that year, and also Sitatunga coming to Chester at around the same time - I was visiting Chester twice a year at that time so there's a fairly narrow gap when it was possible that I saw the Bontebok but it was my first Sitatunga.
 
The visit remains quite vivid in my mind, in part because it's one of the earliest zoo visits I took my own photos at. Actually, it was probably one of the first times I would have been consciously thinking about which species were new for me. But I was young and the photos pre-digital of course, so I'm not sure of the exact date I was there. The other two species I remember being excited to see for the first time that day were Bontebok and Sitatunga - and I have photos of both - which means it must almost certainly have been in 1994 - Zootierliste has the Bontebok arriving at Suffolk that year, and also Sitatunga coming to Chester at around the same time - I was visiting Chester twice a year at that time so there's a fairly narrow gap when it was possible that I saw the Bontebok but it was my first Sitatunga.
Both of those species were added by David Armitage after the Banham purchase.
If you saw (a) Dingo then, it must have been the surviving Knaresborough female.
 
Both of those species were added by David Armitage after the Banham purchase.
If you saw (a) Dingo then, it must have been the surviving Knaresborough female.

Somehow I always forget that Suffolk was among the massive raft of collections with which Armitage has been involved!

Has this collection changed much since this guidebook was published? Has it become an African-species-only collection or did it just change its name for no reason?

Given how difficult it is to reach both Norfolk and Suffolk from my neck of the woods, I've yet to visit any of the collections in either county as yet - but I'm given to understand that SWP/AA has changed beyond recognition since the time this guidebook was published! As noted by others it does now have an African-specific focus, with (I think) the non-African species now limited to Asian Short-clawed Otter.

I do have quite a lot of items with a connection to Suffolk mind you - one of my regular sources for maps/guidebooks/pamphlets used to be the Animal Manager there!
 
Somehow I always forget that Suffolk was among the massive raft of collections with which Armitage has been involved!



Given how difficult it is to reach both Norfolk and Suffolk from my neck of the woods, I've yet to visit any of the collections in either county as yet - but I'm given to understand that SWP/AA has changed beyond recognition since the time this guidebook was published! As noted by others it does now have an African-specific focus, with (I think) the non-African species now limited to Asian Short-clawed Otter.

I do have quite a lot of items with a connection to Suffolk mind you - one of my regular sources for maps/guidebooks/pamphlets used to be the Animal Manager there!
Yes David has steered a number of collections through considerable development over the years., although I'm not sure it really is a 'massive raft'. He was animal manager at Banham at the time Suffolk was purchased, and commuted cross-country between the two. It was one of three collections on the market at the time and under serious consideration for purchase by Banham/Goymour, and won out over the other two - Riber Castle and Pleasurewood Hills. Suffolk was originally planned to develop under Banham's ownership as am 'upmarket farm park' to keep revenue up and running costs low; but business consultants brought in to look at the whole business 'empire' built up by the Goymour family, produced the idea of 'Africa Alive'. David ran with this, and used his contacts to develop and stock the park; despite the continuously repeated question 'we've driven all this way - just where ARE the elephants..?' Not such a silly request given the new name and direction the park was taking. Rhinos and giraffes had to be brought in quickly to compensate, and add at least some of the 'big five'.
 
Last edited:
Yes David has steered a number of collections through considerable development over the years., although I'm not sure it really is a 'massive raft'.

Perhaps not where involvement with management etc is concerned - but I was more thinking the total roster of zoological collections where he has worked at one point or another :) off the top of my head, I can think of at least nine (Chester, Twycross, Penscynor, CERZA, Linton, Banham, Suffolk, Muncaster, South Lakes) and I've probably omitted some!

It was one of three collections on the market at the time and under serious consideration for purchase by Banham/Goymour, and won out over the other two - Riber Castle and Pleasurewood Hills.

Interesting - I know very little about Pleasurewood Hills (even though it is, I believe, still operating now) but I've covered Riber Castle within this very thread :)
 
Somehow I always forget that Suffolk was among the massive raft of collections with which Armitage has been involved!



Given how difficult it is to reach both Norfolk and Suffolk from my neck of the woods, I've yet to visit any of the collections in either county as yet - but I'm given to understand that SWP/AA has changed beyond recognition since the time this guidebook was published! As noted by others it does now have an African-specific focus, with (I think) the non-African species now limited to Asian Short-clawed Otter.

I do have quite a lot of items with a connection to Suffolk mind you - one of my regular sources for maps/guidebooks/pamphlets used to be the Animal Manager there!
Asian small clawed otters have been gone for around 2 years, I don't think there is anything non-african now!
 
Day 100: Belle Vue Zoo Park (1902) - Belle Vue Gardens Manchester Official Guide

full

full


Page count: 32 pages
Photographs: N/A
Illustrations/diagrams: 12 drawings showing assorted species in collection
Layout: General introduction, followed by species-by-species walkthrough of collection, assorted visitor information and an account of the Boer War.
Map: Fold-out attached to inner front cover


Satisfyingly, the guidebook which was randomly-selected as the hundredth to be covered within this thread is one of the more unusual rarities within my collection; as I have remarked in the past, guidebooks for Belle Vue Zoo tend to be much sought-after due to the cross-pollination between those interested in zoological collections, those interested in circuses and theme parks, and those interested in speedways and other such sporting venues, and even those published in more recent years often sell for significant amounts of money. As such, I was extremely surprised to stumble across this guidebook on AbeBooks several months ago, which was being sold by a second-hand bookseller in southwest Canada for only £20 - even with the postage costs, which almost doubled the overall price, I felt this was a massive bargain given the fact the sales listing claimed it was from the early 20th century.

Once the guidebook arrived, I realised just *how* lucky I had been; per the publication information on the title page, this particular edition was published in 1902, and on consulting the master list of UK guidebooks maintained by the Bartlett Society I discovered that (prior to this copy falling into my possession) none were known to be extant. Moreover, the guidebook was in mint condition, with little-to-no damage having been inflicted by the ravages of age. As a result, this has immediately become one of the key treasures of my personal guidebook collection.

full

full


The guidebook opens with a very brief introduction detailing various means of reaching the collection, and which immediately betrays the fact that the target audience for the zoo was rather more "highbrow" than the common populace of nearby Manchester, given several references within; for instance, a reference to stable-blocks capable of housing several hundred horses available for the use of visitors, and a subsequent reminder that "the admission to the Gardens for the coachmen or servants accompanying each carriage is, however, the same as for other visitors".

Beyond here, the main body of the text comprises a comprehensive walkthrough account of the collection at the time of publication, with each aviary, cage or exhibit numbered in turn and the species within listed by both common name and scientific name, along with their rough location of origin; a handful of these accounts provide further odds-and-ends of information, such as diet, remarks on the age or condition of the specific animals displayed, or in some cases the name and address of the individual who donated the animals to the zoo. These accounts are supplemented throughout by rather attractive - if somewhat stylised - illustrations depicting various of the species held within the collection at the time of publication. Naturally, one of the key difficulties when reading through this walkthrough account from the point of view of a modern-day zoo enthusiast is the fact that - given the length of time which has elapsed since the publication of this guidebook - not only are the common names used within the text often somewhat archaic, but in many cases the scientific names are also out-of-date. As such, although it is entirely possible to use this guidebook to piece together a rough list of the species displayed at Belle Vue Zoo in 1902 - something which, in point of fact, I plan to attempt when time and mental energy allows - the task is not as simple as it may initially seem.

At various points in the walkthrough account, the text discusses various of the buildings, structures and amenities which the visitor to the collection would encounter during the course of the day beyond the zoological exhibits themselves; these include the hothouses and conservatories, various "refreshment rooms" and lavatories, an ornamental maze, areas for athletics, croquet and tennis, ballrooms, a music hall and a museum of natural history. The lattermost of these contained not only a variety of animal specimens - largely former inhabitants of the zoological collection - but also a variety of live reptile exhibits. Overall, the walkthrough account conveys a rather comprehensive view of the collection to which it pertains; given the extreme age of the guidebook, the rarity of material from Belle Vue during this timespan, and the fact that the collection itself ceased to exist nearly half a century ago, the overall value of this account to the zoo historian is immeasurable despite the aforementioned difficulties in interpreting certain aspects of the text.

full

full


Beyond here, the guidebook provides a comprehensive list of the various means by which visitors to the collection could reach Belle Vue by public transport, along with further discussion of the amenities available to those who were able to visit the collection by private coach; as far as a modern-day reader is concerned, this section is primarily valuable as a historical document providing primary evidence for the socio-economic landscape of Manchester and the surrounding areas at the time of publication, describing as it does the variety of public transport routes in operation, and displaying inherent prejudices and assumptions relating to the class and disposition of visitors to the collection.

The following section of the guidebook - a lengthy account of the Battle of Paardeberg, which took place during the Second Anglo-Boer War of 1899-1902, and was one of several battles during said war which (as a complete sidenote) my great-grandfather fought in as an under-age recruit - would tend to strike the reader as something of a non-sequitur were one unaware of the long tradition (even at this point of time) of the so-called "Pyrodramas" which took place at Belle Vue Zoo throughout the latter half of the 19th century and into the early decades of the 20th century; these comprised regular firework displays which would take place each day against the backdrop of massive painted dioramas depicting a major battle or event from history, supplemented by actors and animals. Each year, the focus of the Pyrodrama event would shift and a new diorama would be installed; as one might have guessed by this point, during the 1902 season the Pyrodrama event was themed around the Battle of Paardeberg. Curiously enough, however, the guidebook itself makes no mention of the Pyrodramas or indeed the "firework island" on which they took place, with the only allusion being the aforementioned historical account itself.

full

full


The guidebook concludes with further key information for visitors; a menu and pricelist for the various food and drink sold within the "refreshment rooms" at Belle Vue, and a comprehensive list of locations throughout Manchester, Salford and Stockport alongside the relevant cab fares to/from the zoo. These, once again, represent precisely the sort of information which provides an incredibly valuable primary resource not only for zoo enthusiasts with a historical interest, but moreover anyone interested in the wider social and socio-economic history of Manchester and surrounding areas of northwest England.

The final aspect of this guidebook which must be discussed is the highly-attractive and detailed fold-out map of the collection which is located within the front cover; this represents a work of art as much as it does a map for the zoo visitor, depicting the collection from an dimetric birds-eye view which possibly sacrifices some level of ease-of-reference in the name of aesthetic appearance. However, the map *is* well-labelled, with numbers corresponding to a wide range of zoological exhibits, visitor amenities and attractions listed within the provided key. The only real issue with the map, as far as the purposes of this thread are concerned, is that due to the length of the map when fully unfolded I have been unable to scan the entire document in a single image; rather, the following two images have been scanned and cropped in order to (I hope) match one another as closely as possible in scale and dimensions, thereby allowing a sense of the entire map to be gleaned.

full

full


Overall, this is an incredibly interesting, rare and unusual document which represents a valuable resource for zoological historians, social historians and economic historians alike, and which moreover provides a massive amount of detailed information about the zoological collection to which it pertains in an attractive and enjoyable fashion. For obvious reasons, then, this is one of the most important treasures in my guidebook collection.... certainly once one discounts those items from Zoo Berlin and Tierpark Berlin!

As noted previously, once I have the required time, mental energy and motivation, I plan to set aside a few hours to methodically go through the species list presented within this guidebook and transcribe an up-to-date version for the reference of modern-day zoo enthusiasts and historians, particularly given the fact that (if the Bartlett Society master list is accurate) I own the only known copy of this particular edition of the Belle Vue guidebook. However, in the meantime I would be more than happy to answer any questions which those reading this thread may have about the contents of this guidebook.... and of course, the usual call for people to flow freely with feedback, comments, criticism and so forth applies as ever!
 
Day 100: Belle Vue Zoo Park (1902) - Belle Vue Gardens Manchester Official Guide

full

full


Page count: 32 pages
Photographs: N/A
Illustrations/diagrams: 12 drawings showing assorted species in collection
Layout: General introduction, followed by species-by-species walkthrough of collection, assorted visitor information and an account of the Boer War.
Map: Fold-out attached to inner front cover


Satisfyingly, the guidebook which was randomly-selected as the hundredth to be covered within this thread is one of the more unusual rarities within my collection; as I have remarked in the past, guidebooks for Belle Vue Zoo tend to be much sought-after due to the cross-pollination between those interested in zoological collections, those interested in circuses and theme parks, and those interested in speedways and other such sporting venues, and even those published in more recent years often sell for significant amounts of money. As such, I was extremely surprised to stumble across this guidebook on AbeBooks several months ago, which was being sold by a second-hand bookseller in southwest Canada for only £20 - even with the postage costs, which almost doubled the overall price, I felt this was a massive bargain given the fact the sales listing claimed it was from the early 20th century.

Once the guidebook arrived, I realised just *how* lucky I had been; per the publication information on the title page, this particular edition was published in 1902, and on consulting the master list of UK guidebooks maintained by the Bartlett Society I discovered that (prior to this copy falling into my possession) none were known to be extant. Moreover, the guidebook was in mint condition, with little-to-no damage having been inflicted by the ravages of age. As a result, this has immediately become one of the key treasures of my personal guidebook collection.

full

full


The guidebook opens with a very brief introduction detailing various means of reaching the collection, and which immediately betrays the fact that the target audience for the zoo was rather more "highbrow" than the common populace of nearby Manchester, given several references within; for instance, a reference to stable-blocks capable of housing several hundred horses available for the use of visitors, and a subsequent reminder that "the admission to the Gardens for the coachmen or servants accompanying each carriage is, however, the same as for other visitors".

Beyond here, the main body of the text comprises a comprehensive walkthrough account of the collection at the time of publication, with each aviary, cage or exhibit numbered in turn and the species within listed by both common name and scientific name, along with their rough location of origin; a handful of these accounts provide further odds-and-ends of information, such as diet, remarks on the age or condition of the specific animals displayed, or in some cases the name and address of the individual who donated the animals to the zoo. These accounts are supplemented throughout by rather attractive - if somewhat stylised - illustrations depicting various of the species held within the collection at the time of publication. Naturally, one of the key difficulties when reading through this walkthrough account from the point of view of a modern-day zoo enthusiast is the fact that - given the length of time which has elapsed since the publication of this guidebook - not only are the common names used within the text often somewhat archaic, but in many cases the scientific names are also out-of-date. As such, although it is entirely possible to use this guidebook to piece together a rough list of the species displayed at Belle Vue Zoo in 1902 - something which, in point of fact, I plan to attempt when time and mental energy allows - the task is not as simple as it may initially seem.

At various points in the walkthrough account, the text discusses various of the buildings, structures and amenities which the visitor to the collection would encounter during the course of the day beyond the zoological exhibits themselves; these include the hothouses and conservatories, various "refreshment rooms" and lavatories, an ornamental maze, areas for athletics, croquet and tennis, ballrooms, a music hall and a museum of natural history. The lattermost of these contained not only a variety of animal specimens - largely former inhabitants of the zoological collection - but also a variety of live reptile exhibits. Overall, the walkthrough account conveys a rather comprehensive view of the collection to which it pertains; given the extreme age of the guidebook, the rarity of material from Belle Vue during this timespan, and the fact that the collection itself ceased to exist nearly half a century ago, the overall value of this account to the zoo historian is immeasurable despite the aforementioned difficulties in interpreting certain aspects of the text.

full

full


Beyond here, the guidebook provides a comprehensive list of the various means by which visitors to the collection could reach Belle Vue by public transport, along with further discussion of the amenities available to those who were able to visit the collection by private coach; as far as a modern-day reader is concerned, this section is primarily valuable as a historical document providing primary evidence for the socio-economic landscape of Manchester and the surrounding areas at the time of publication, describing as it does the variety of public transport routes in operation, and displaying inherent prejudices and assumptions relating to the class and disposition of visitors to the collection.

The following section of the guidebook - a lengthy account of the Battle of Paardeberg, which took place during the Second Anglo-Boer War of 1899-1902, and was one of several battles during said war which (as a complete sidenote) my great-grandfather fought in as an under-age recruit - would tend to strike the reader as something of a non-sequitur were one unaware of the long tradition (even at this point of time) of the so-called "Pyrodramas" which took place at Belle Vue Zoo throughout the latter half of the 19th century and into the early decades of the 20th century; these comprised regular firework displays which would take place each day against the backdrop of massive painted dioramas depicting a major battle or event from history, supplemented by actors and animals. Each year, the focus of the Pyrodrama event would shift and a new diorama would be installed; as one might have guessed by this point, during the 1902 season the Pyrodrama event was themed around the Battle of Paardeberg. Curiously enough, however, the guidebook itself makes no mention of the Pyrodramas or indeed the "firework island" on which they took place, with the only allusion being the aforementioned historical account itself.

full

full


The guidebook concludes with further key information for visitors; a menu and pricelist for the various food and drink sold within the "refreshment rooms" at Belle Vue, and a comprehensive list of locations throughout Manchester, Salford and Stockport alongside the relevant cab fares to/from the zoo. These, once again, represent precisely the sort of information which provides an incredibly valuable primary resource not only for zoo enthusiasts with a historical interest, but moreover anyone interested in the wider social and socio-economic history of Manchester and surrounding areas of northwest England.

The final aspect of this guidebook which must be discussed is the highly-attractive and detailed fold-out map of the collection which is located within the front cover; this represents a work of art as much as it does a map for the zoo visitor, depicting the collection from an dimetric birds-eye view which possibly sacrifices some level of ease-of-reference in the name of aesthetic appearance. However, the map *is* well-labelled, with numbers corresponding to a wide range of zoological exhibits, visitor amenities and attractions listed within the provided key. The only real issue with the map, as far as the purposes of this thread are concerned, is that due to the length of the map when fully unfolded I have been unable to scan the entire document in a single image; rather, the following two images have been scanned and cropped in order to (I hope) match one another as closely as possible in scale and dimensions, thereby allowing a sense of the entire map to be gleaned.

full

full


Overall, this is an incredibly interesting, rare and unusual document which represents a valuable resource for zoological historians, social historians and economic historians alike, and which moreover provides a massive amount of detailed information about the zoological collection to which it pertains in an attractive and enjoyable fashion. For obvious reasons, then, this is one of the most important treasures in my guidebook collection.... certainly once one discounts those items from Zoo Berlin and Tierpark Berlin!

As noted previously, once I have the required time, mental energy and motivation, I plan to set aside a few hours to methodically go through the species list presented within this guidebook and transcribe an up-to-date version for the reference of modern-day zoo enthusiasts and historians, particularly given the fact that (if the Bartlett Society master list is accurate) I own the only known copy of this particular edition of the Belle Vue guidebook. However, in the meantime I would be more than happy to answer any questions which those reading this thread may have about the contents of this guidebook.... and of course, the usual call for people to flow freely with feedback, comments, criticism and so forth applies as ever!
About how much do you estimate this guidebook is actually worth?
 
Perhaps not where involvement with management etc is concerned - but I was more thinking the total roster of zoological collections where he has worked at one point or another :) off the top of my head, I can think of at least nine (Chester, Twycross, Penscynor, CERZA, Linton, Banham, Suffolk, Muncaster, South Lakes) and I've probably omitted some!

Interesting - I know very little about Pleasurewood Hills (even though it is, I believe, still operating now) but I've covered Riber Castle within this very thread :)

Absolutely...
David has had quite a long career! I think you missed out Ravensden...., but Banham/Suffolk really were the same role/position, and he commuted between the two sites An interesting 'near miss' which could have led to a very interesting outcome, was that he actually left CERZA to take on the lease of Basildon, but on arrival back in the UK the latter's owners could not agree on the detail and terms, and the offer evaporated, with David eventually going to Linton. Basildon was a nice (if rather small) site in a very good location; and the British zoo scene could have been quite different.
 
About how much do you estimate this guidebook is actually worth?

Due to peoples on-line buying habits changing during and post the various lockdowns, zoo guides are fetching much (in some cases very much!) higher prices; and it is very difficult to guess at values now.

Moreover, it is very much a case of value being in the eye of the beholder, and in the eye of the seller - as it is for many things!

I would imagine that, for instance, a guidebook from a hypothetical collection based in the middle of nowhere which closed down after only 6 months (and which therefore did not sell many copies during the timespan it existed) could end up going in several directions:

  • If sold by another collector, the asking price might be rather high - and other collectors might well be more than willing to pay such sums.
  • If sold by an average member of the public with no interest in zoological collections (say, someone clearing out old books and pamphlets from a deceased relative's attic) the asking price might be very low.... in which case the amount it sold for would depend on whether it was being sold at a fixed price, whether it was being auctioned, and whether multiple interested collectors spotted it for sale in the latter instance.
  • If sold by someone with little-to-no interest in zoo guides, but awareness of selling trends, the state of play might be between the two situations.

The personal tastes and interests of a given collector also play a role - some people might not be interested in shorter guidebooks, or ones pertaining to a certain "type" of zoo, or ones in a given location, and would therefore be unwilling to pay beyond a certain price. For instance, as most reading this thread will have gathered, one of my primary collection interests is assembling guidebooks from Zoo Berlin. As such, I have doubtless paid *significantly* more for some guidebooks from said collection than other zoo enthusiasts might.... let alone the average "man in the street". However, I have relatively little interest in guidebooks from safari parks, and therefore wouldn't go out of my way to obtain such material..... although even here there are grey areas, as I *do* want to track down a guidebook from Blair Drummond Safari Park at some point given the fact this is the only major UK safari park (past or present) which is unrepresented within my collection.

So it's really impossible to say how much this Belle Vue guidebook is "actually" worth.... it's merely a fairly reasonable assumption that on the balance of probabilities (very old guidebook, closed collection, multiple sectors of "collector" interested in the zoo in question) I was very lucky to find it for the price I did.
 
Back
Top